PRoMs - The Production and Reading of Music Sources

Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Colour of Staves
Ruling Medium
Number of staves
Disposition of Voice Parts
Indentation for Initials
Extra Space Between Voice Parts
Space Provided for Separate Text
Adhoc Adaptation
Copying of Music
Colour of Notation
Type of Notation
Monophonic Notation
Level of Calligraphy
Non-verbal Performance Instructions
Copying of Text
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Presence or Absence of Text
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Miniatures Frequency
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Penned Initials Frequency
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Planned Initials Frequency
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Disposition of voice part: 5-part single page Type of notation: full mensural Adhoc adaptation: staves extended into margin Adhoc adaptation: notation and staves extended into margin Disposition of voice part: 1-part single page Adhoc adaptation: notation extended into margin Disposition of voice part: 3-part consecutive Type of notation: void mensural Other decoration type: end-symbol Painted initials type: flourished

Search results

5
  1. Florence, Italy, Biblioteca Nazionale Centrale, MS II.I.232 (olim Magliabechi XIX.58), c. 1515-1521, All folios
  2. Regensburg, Germany, Bischöfliche Zentralbibliothek, MS C 120 (olim D XII), Early 1520s, All folios
  3. London, Great Britain, British Library, MS Royal Appendix 45-48, c. 1530, Tenor partbook (App. 45), all folios
  4. Mechelen, Belgium, Archief en Stadsbibliotheek, MS s.s., c. 1515, All folios
  5. London, Great Britain, British Library, MS Royal 11 E. xi, 1516, All folios