PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Austria
9
Belgium
3
France
5
Germany
16
Great Britain
6
Italy
38
Netherlands
2
Spain
2
Cities
Arundel
1
Augsburg
3
Bologna
5
Brussels
2
Cognac
1
Emmerich
1
England
2
Eton
1
Ferrara
5
Florence
8
Fossombrone
2
France
4
Glarus, Switzerland
1
Innsbruck
1
Italy
3
Italy (North)
1
Köln
1
Leipzig
1
London
3
Lyons
1
Maastricht
1
Mechelen
3
Milan
2
Modena
6
Munich
11
Munich, Germany
1
Naples
1
Padua
1
Paris
2
Pordenone
1
Rome
2
Siena
2
Spain
1
Troyes
1
Utrecht
1
Venice
4
Vic
1
Vienna
8
Windsor
1
Wittenberg
1
Zaragoza
1
Zwickau
1
Production method
Manuscript
79
Printed work
11
Physical type
choirbook
67
choirbook (fragment)
2
music treatise(s) containing polyphony
1
non-music manuscript with interpolated polyphony
1
partbook (fragment)
1
partbook (single)
2
partbooks (complete set)
9
partbooks (incomplete set)
3
poetry collection with some notated music
2
printed treatise with added polyphony
1
Material
paper
62
paper (with parchment)
2
parchment
22
parchment (with paper)
2
parchment and paper (mixed)
2
Format
oblong
21
upright
69
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
13
n/a
11
never
16
none visible
29
normally
7
occasionally
3
often
4
sometimes
9
Height of Staves
Colour of Staves
black
45
brown
37
dark brown
2
gold
1
light brown
2
red
4
red-brown
1
reddish brown
1
Ruling Medium
double and single rastra
1
double rastrum
12
freehand
5
single rastrum
58
straightedge
12
triple rastrum
2
Number of staves
1
3
10
28
11
14
12
16
13
8
14
5
15
4
16
1
17
1
2
19
3
20
4
30
5
31
6
40
7
25
8
26
9
23
Disposition of Voice Parts
1-part single page
25
12-part opening
1
2-part consecutive
3
2-part opening
25
2-part score
2
2-part single page
13
3-part consecutive
5
3-part opening
41
3-part score
2
3-part single page
14
4-part consecutive
2
4-part opening
60
4-part score
1
4-part single page
10
5-part consecutive
3
5-part opening
34
5-part single page
1
6-part consecutive
1
6-part opening
18
7-part consecutive
1
7-part opening
1
8-part consecutive
1
8-part opening
3
9-part consecutive
1
9-part opening
1
n/a
3
Indentation for Initials
all staves indented
1
double
26
none
42
quadruple
1
single
55
triple
5
Extra Space Between Voice Parts
empty ruled staves on grid
56
left below voice parts as part of grid
2
left between voice parts as part of grid
4
none
10
staves not ruled on grid
13
variable space, not on grid
16
Space Provided for Separate Text
no separate text
66
not in dedicated space
14
provided, in dedicated space
18
Adhoc Adaptation
Indentation for initials filled in
3
made for complete additional staves
17
notation and staves extended into margin
43
notation extended into margin
27
other
2
partial additional staves
25
staveline added
10
staves extended into margin
5
Copying of Music
Colour of Notation
black
63
blue
1
brown
26
dark brown
7
gold
1
light brown
1
red
6
red-brown
1
Type of Notation
German hufnagel
2
chant (square)
4
full mensural
7
strene notation
1
void mensural
85
Monophonic Notation
absent
71
present
21
Level of Calligraphy
fair
30
high
36
n/a
11
poor
7
very high
9
Non-verbal Performance Instructions
coronae
13
cue notes
2
end symbol
7
none
3
pointers
4
repeat signs
15
signa congruentiae
32
signes-de-renvoi
28
space-filler
2
Copying of Text
Language
Dutch
1
English
3
Flemish
2
French
20
German
6
Italian
11
Latin
76
Spanish
1
Presence or Absence of Text
fully texted and provided with incipit
2
fully texted with one or two texts
12
fully texted with one text
80
fully texted with two or more texts
7
fully texted with two texts
5
partially texted with one or two texts
3
partially texted with one text
19
partially texted with two texts
1
provided with multiple incipits
1
provided with one or two incipits
14
provided with single incipit
20
provided with two incipits
3
untexted
24
varies
1
Type of Script
antiqua
4
cursive
9
cursive (Anglicana)
3
cursive (German)
4
cursive (Italianate)
1
cursive (bastarda)
11
cursive (humanistic)
11
cursive (italic)
4
display script
14
humanistic
1
hybrida
3
roman
3
rotonda
9
textura
28
Level of Calligraphy
fair
26
high
37
n/a
11
poor
5
very high
8
Colour of Text
black
56
blue
2
brown
27
dark brown
5
dark red
1
green
1
grey
1
light brown
1
red
24
red-brown
1
Multiple Texts
no
60
yes
30
Decoration
Miniatures Frequency
never
7
normally
1
often
1
rarely
13
Borders Frequency
always
1
never
6
occasionally
1
rarely
11
sometimes
1
Borders Size
full and partial borders
1
full borders
2
partial borders: one- and two-sided
1
partial borders: one-sided
4
partial borders: two- and three-sided
2
partial borders: two-sided
4
Painted Initials Frequency
always
4
never
3
normally
6
occasionally
3
often
4
rarely
6
sometimes
3
Painted Initials Type
calligraphic
1
calligraphic with decoration
3
decorated
13
decorated with grotesque heads
2
flourished
7
historiated
3
plain initials
4
zoomorphic initial
2
Penned Initials Frequency
always
9
normally
15
occasionally
6
often
8
rarely
13
sometimes
12
Penned Initials Type
calligraphic
37
calligraphic with decoration
9
calligraphic with grotesque heads
13
decorated
1
decorated with grotesque heads
3
flourished
15
historiated
1
littera notabilior
3
plain initials
9
zoomorphic initial
1
Planned Initials Frequency
always
2
never
3
normally
4
occasionally
1
often
4
rarely
12
sometimes
1
Planned Initials Type
Other Decoration Frequency
always
4
never
4
normally
8
occasionally
4
often
7
rarely
7
sometimes
5
Other Decoration Type
Voice-names
3
banner
3
decorated letters
4
decorative final long
12
diagrams
1
embellished final barline
4
end-symbol
4
littera notabilior
5
vignette
1
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1
Contrapunctus seu figurata musica super plano cantu missarum solennium totius anni, Lyons, France, 1528, , August 1528, 90
1