PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Belgium
3
England
1
Germany
1
Great Britain
2
Italy
5
Silesia
3
Cities
Augsburg
1
Brussels
3
Florence
3
Italy
3
London
2
Mechelen
3
Munich
1
Naples
2
Northamptonshire
1
Zagan
3
Production method
Manuscript
17
Printed work
1
Physical type
chansonnier
1
choirbook
6
music treatise(s) containing polyphony
1
partbook (single)
2
partbooks (complete set)
4
partbooks (incomplete set)
3
printed book with interpolated polyphony
1
Material
paper
9
paper (with parchment)
1
parchment
7
parchment (with paper)
1
Format
oblong
11
upright
7
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
2
n/a
1
never
3
none visible
11
normally
1
Height of Staves
Colour of Staves
black
6
brown
9
red
1
reddish brown
1
Ruling Medium
double rastrum
5
freehand
2
single rastrum
8
straightedge
3
triple rastrum
1
Number of staves
1
3
10
5
11
1
2
4
3
4
4
18
5
6
6
7
7
6
8
6
9
6
Disposition of Voice Parts
1-part single page
13
2-part consecutive
1
2-part opening
6
2-part score
1
2-part single page
1
3-part consecutive
2
3-part opening
8
3-part single page
2
4-part opening
8
4-part single page
1
5-part consecutive
1
5-part opening
4
6-part opening
2
Indentation for Initials
double
4
none
12
single
7
triple
2
Extra Space Between Voice Parts
empty ruled staves on grid
14
left between voice parts as part of grid
2
none
3
staves not ruled
1
staves not ruled on grid
4
variable space, not on grid
2
Space Provided for Separate Text
no separate text
11
not in dedicated space
4
provided, in dedicated space
5
Adhoc Adaptation
made for complete additional staves
4
notation and staves extended into margin
9
notation extended into margin
3
partial additional staves
10
staveline added
3
staves extended into margin
1
Copying of Music
Colour of Notation
black
13
blue
1
brown
2
dark brown
4
light brown
1
red
1
Type of Notation
chant (square)
1
full mensural
1
void mensural
18
Monophonic Notation
absent
17
present
1
Level of Calligraphy
fair
5
high
8
n/a
1
poor
1
very high
3
Non-verbal Performance Instructions
coronae
1
end symbol
3
pointers
1
repeat signs
3
signa congruentiae
7
signes-de-renvoi
6
space-filler
1
Copying of Text
Language
Czech
3
English
2
French
9
German
3
Italian
4
Latin
12
Presence or Absence of Text
fully texted with one or two texts
6
fully texted with one text
14
fully texted with two or more texts
3
partially texted with one or two texts
1
partially texted with one text
4
partially texted with two or more texts
1
provided with single incipit
7
provided with two incipits
1
untexted
8
Type of Script
cursive
1
cursive (Anglicana)
2
cursive (German)
3
cursive (bastarda)
4
cursive (humanistic)
5
cursive (italic)
1
display script
3
rotonda
1
textura
2
Level of Calligraphy
fair
5
high
8
n/a
1
poor
1
very high
4
Colour of Text
black
12
blue
1
brown
4
dark brown
2
light brown
1
red
4
Multiple Texts
no
6
yes
13
Decoration
Miniatures Frequency
never
1
rarely
3
Borders Frequency
never
1
rarely
5
Borders Size
full borders
2
partial borders: one-sided
3
partial borders: two-sided
1
Painted Initials Frequency
never
1
normally
1
occasionally
2
often
2
rarely
4
Painted Initials Type
decorated
6
decorated with grotesque heads
1
flourished
1
historiated
2
plain initials
1
Penned Initials Frequency
always
4
normally
6
often
1
rarely
2
Penned Initials Type
calligraphic
3
calligraphic with decoration
5
calligraphic with grotesque heads
4
decorated with grotesque heads
1
flourished
2
plain initials
3
Planned Initials Frequency
never
1
normally
1
rarely
5
Planned Initials Type
Other Decoration Frequency
never
2
occasionally
2
often
1
rarely
3
Other Decoration Type
decorative final long
3
diagrams
1
end-symbol
2
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Number of staves: 4
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1
Cambridge, Great Britain, Gonville and Caius College, MS 667/760, Late 1520s, All folios
1