PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Austria
7
Belgium
3
France
1
Germany
9
Great Britain
6
Italy
5
Netherlands
1
Cities
Augsburg
3
Bruges
2
Brussels
1
Florence
5
Glarus, Switzerland
1
Innsbruck
1
London
6
Mechelen
1
Munich
9
Paris
1
Utrecht
1
Vienna
6
Windsor
1
Production method
Manuscript
26
Physical type
chansonnier
1
choirbook
13
partbook (single)
2
partbooks (complete set)
8
poetry collection with some notated music
1
tablebook
1
Material
paper
20
parchment
4
parchment (with paper)
1
parchment and paper (mixed)
1
Format
bound upright but prepared oblong
1
oblong
12
upright
13
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
1
never
7
none visible
9
normally
3
occasionally
1
often
3
sometimes
3
Height of Staves
Colour of Staves
black
16
brown
7
dark brown
3
red
1
Ruling Medium
double rastrum
1
freehand
1
printed staves
4
single rastrum
15
straightedge
3
triple rastrum
5
Number of staves
1
1
10
2
2
13
3
26
4
16
5
15
6
16
7
13
8
12
9
5
Disposition of Voice Parts
1-part single page
12
2-part consecutive
1
2-part opening
9
2-part single page
1
3-part consecutive
2
3-part opening
12
3-part single page
1
4-part opening
15
4-part single page
4
5-part opening
12
6-part opening
5
8-part opening
1
n/a
1
Indentation for Initials
double
11
none
10
single
18
triple
1
Extra Space Between Voice Parts
empty ruled staves on grid
8
left below voice parts as part of grid
2
left between voice parts as part of grid
2
none
6
staves not ruled on grid
4
variable space, not on grid
11
Space Provided for Separate Text
no separate text
17
not in dedicated space
3
provided, in dedicated space
6
Adhoc Adaptation
made for complete additional staves
1
notation and staves extended into margin
9
notation extended into margin
2
partial additional staves
6
staveline added
2
Copying of Music
Colour of Notation
black
20
brown
9
red
2
Type of Notation
German hufnagel
1
chant (square)
1
full mensural
2
void mensural
25
Monophonic Notation
absent
20
present
7
Level of Calligraphy
fair
17
high
8
poor
2
very high
1
Non-verbal Performance Instructions
end symbol
1
repeat signs
5
signa congruentiae
8
signes-de-renvoi
3
space-filler
1
Copying of Text
Language
English
2
Flemish
1
French
7
German
3
Italian
5
Latin
21
Presence or Absence of Text
fully texted with one or two texts
8
fully texted with one text
19
fully texted with two or more texts
2
fully texted with two texts
3
partially texted with one or two texts
1
partially texted with one text
3
provided with one or two incipits
1
provided with single incipit
6
untexted
6
Type of Script
cursive
5
cursive (Anglicana)
2
cursive (German)
1
cursive (bastarda)
3
cursive (italic)
5
display script
7
textura
10
Level of Calligraphy
fair
14
high
11
poor
1
very high
1
Colour of Text
black
20
brown
9
red
9
Multiple Texts
no
11
yes
16
Decoration
Miniatures Frequency
always
2
never
2
rarely
1
Borders Frequency
never
1
rarely
1
Borders Size
full borders
1
Painted Initials Frequency
always
1
never
2
normally
1
often
1
rarely
2
Painted Initials Type
calligraphic with decoration
1
decorated
1
flourished
3
plain initials
3
Penned Initials Frequency
always
2
normally
7
occasionally
1
often
2
rarely
5
sometimes
5
Penned Initials Type
calligraphic
9
calligraphic with decoration
2
calligraphic with grotesque heads
3
decorated
4
flourished
2
plain initials
11
Planned Initials Frequency
normally
2
often
1
rarely
3
Planned Initials Type
Guide letters only
1
Other Decoration Frequency
always
1
never
1
normally
4
often
1
rarely
1
Other Decoration Type
Voice-names
1
decorative final long
2
end-symbol
1
littera notabilior
2
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Number of staves: 3
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2
Barcelona, Spain, Biblioteca de Catalunya, M. 251 (olim 250), c. 1490, 137v-139r, 140v-143r
Montecassino, Italy, Biblioteca dell'Abbazia, MS 871, late 15th century, pp. 247-434
1