PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Great Britain
1
Italy
4
Spain
7
Cities
Barcelona
1
Bologna
1
Catalonia
1
England
1
Florence
2
Italy
3
Pisa
1
Seville
1
Tarazona
4
Vic
1
Production method
Manuscript
16
Physical type
choirbook
8
monophonic manuscript with interpolated polyphony
1
music treatise(s) with appended monophony and polyphony
1
non-music manuscript with interpolated polyphony
1
partbooks (incomplete set)
5
Material
paper
12
paper (with parchment)
1
parchment
1
parchment and paper (mixed)
2
Format
oblong
7
upright
9
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
4
never
3
none visible
7
normally
2
rarely
1
Height of Staves
Colour of Staves
black
3
brown
5
dark brown
8
gold
1
red
1
Ruling Medium
double rastrum
5
freehand
2
quadruple rastrum
1
single rastrum
9
straightedge
3
triple rastrum
2
Number of staves
1
1
10
4
11
3
12
2
13
1
4
6
6
5
7
1
8
3
9
4
Disposition of Voice Parts
1-part single page
8
2-part opening
4
2-part single page
5
3-part consecutive
2
3-part opening
9
3-part score
1
3-part single page
3
4-part consecutive
1
4-part opening
9
4-part single page
5
5-part opening
7
5-part single page
1
6-part opening
3
Indentation for Initials
double
2
none
9
single
8
Extra Space Between Voice Parts
empty ruled staves on grid
13
left below voice parts as part of grid
1
left between voice parts as part of grid
2
none
4
Space Provided for Separate Text
no separate text
13
not in dedicated space
5
provided, in dedicated space
3
Adhoc Adaptation
Indentation for initials filled in
3
made for complete additional staves
5
notation and staves extended into margin
11
notation extended into margin
9
other
2
partial additional staves
6
staveline added
11
staves extended into margin
3
Copying of Music
Colour of Notation
black
4
dark brown
16
gold
1
light brown
2
red
1
Type of Notation
chant (square)
5
full mensural
4
strene notation
1
void mensural
16
Monophonic Notation
absent
10
present
6
Level of Calligraphy
fair
8
high
8
very high
1
Non-verbal Performance Instructions
coronae
5
end symbol
6
pointers
3
repeat signs
8
signa congruentiae
9
signes-de-renvoi
6
space-filler
1
Copying of Text
Language
Dutch
1
English
1
Flemish
1
French
4
Italian
4
Latin
13
Spanish
5
Presence or Absence of Text
fully texted and provided with incipit
1
fully texted with one or two texts
9
fully texted with one text
13
fully texted with two or more texts
1
fully texted with two texts
2
partially texted with one text
6
provided with one or two incipits
1
provided with single incipit
7
untexted
7
Type of Script
cursive
4
cursive (Anglicana)
1
cursive (humanistic)
8
cursive (italic)
2
display script
1
humanistic
1
hybrida
1
roman
1
rotonda
1
textura
1
Level of Calligraphy
fair
5
high
11
poor
2
very high
1
Colour of Text
black
5
brown
4
dark brown
12
gold
1
light brown
1
red
2
reddish brown
1
Multiple Texts
no
8
yes
10
Decoration
Miniatures Frequency
never
4
rarely
1
Borders Frequency
never
4
rarely
2
Borders Size
full borders
1
partial borders: one-sided
1
Painted Initials Frequency
often
1
sometimes
2
Painted Initials Type
decorated
2
flourished
1
plain initials
1
Penned Initials Frequency
always
5
normally
4
occasionally
1
often
2
rarely
3
Penned Initials Type
calligraphic
10
calligraphic with decoration
5
calligraphic with grotesque heads
4
decorated
2
decorated with grotesque heads
1
plain initials
4
Planned Initials Frequency
normally
1
occasionally
1
often
1
rarely
3
sometimes
1
Planned Initials Type
Other Decoration Frequency
never
1
normally
1
occasionally
2
rarely
4
sometimes
2
Other Decoration Type
decorative final long
6
end-symbol
2
littera notabilior
3
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Colour of staves: brown
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1
Florence, Italy, Biblioteca Nazionale Centrale, MS Banco Rari 230 (olim Magliabechi XIX.141), c. 1500-1513, before 1515, All folios
1