PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Belgium
1
Germany
2
Great Britain
2
Italy
3
Cities
Arundel
1
Bologna
3
Brussels
1
Eton
1
Halberstadt
1
Leipzig
2
London
1
Mechelen
1
Torgau
1
Production method
Manuscript
10
Physical type
choirbook
10
Material
paper
7
parchment
2
parchment (with paper)
1
Format
upright
10
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
2
never
5
none visible
2
normally
1
Height of Staves
Colour of Staves
black
8
brown
3
dark brown
1
Ruling Medium
single rastrum
8
straightedge
4
Number of staves
10
6
11
6
12
8
13
10
14
5
15
4
16
1
17
1
7
2
8
2
9
4
Disposition of Voice Parts
1-part single page
1
2-part opening
3
2-part single page
1
3-part consecutive
1
3-part opening
5
3-part single page
1
4-part consecutive
1
4-part opening
8
4-part single page
2
5-part consecutive
2
5-part opening
8
6-part consecutive
1
6-part opening
5
7-part consecutive
1
7-part opening
1
8-part consecutive
1
8-part opening
1
9-part consecutive
1
9-part opening
1
n/a
2
Indentation for Initials
all staves indented
1
double
3
none
6
single
5
triple
3
varies
1
Extra Space Between Voice Parts
empty ruled staves on grid
8
left below voice parts as part of grid
2
left between voice parts as part of grid
2
none
2
staves not ruled on grid
2
variable space, not on grid
1
Space Provided for Separate Text
no separate text
9
not in dedicated space
1
provided, in dedicated space
1
Adhoc Adaptation
Indentation for initials filled in
2
made for complete additional staves
4
notation and staves extended into margin
9
notation extended into margin
2
other
1
partial additional staves
7
staveline added
2
Copying of Music
Colour of Notation
black
9
brown
2
dark brown
2
red
3
Type of Notation
chant (square)
1
full mensural
2
void mensural
9
Monophonic Notation
absent
9
present
2
Level of Calligraphy
fair
5
high
4
poor
2
very high
1
Non-verbal Performance Instructions
end symbol
2
none
2
signa congruentiae
3
signes-de-renvoi
3
Copying of Text
Language
French
2
German
2
Latin
10
Presence or Absence of Text
fully texted with one text
9
fully texted with two or more texts
1
partially texted with one text
1
provided with one or two incipits
1
provided with single incipit
1
untexted
2
varies
2
Type of Script
antiqua
3
cursive
2
cursive (Anglicana)
1
cursive (German)
1
cursive (bastarda)
1
hybrida
1
textura
2
Level of Calligraphy
fair
5
high
3
poor
1
very high
1
Colour of Text
black
9
brown
3
dark brown
1
red
3
Multiple Texts
no
9
yes
3
Decoration
Miniatures Frequency
never
1
rarely
1
Borders Frequency
occasionally
2
Borders Size
full and partial borders
1
partial borders: one- and two-sided
1
Painted Initials Frequency
always
1
never
1
often
1
rarely
1
Painted Initials Type
decorated
2
decorated with grotesque heads
1
historiated
1
zoomorphic initial
1
Penned Initials Frequency
always
1
never
1
normally
2
occasionally
3
often
1
rarely
1
sometimes
1
Penned Initials Type
calligraphic
4
calligraphic with decoration
2
calligraphic with grotesque heads
2
decorated with grotesque heads
1
flourished
1
plain initials
1
Planned Initials Frequency
always
2
never
1
normally
1
occasionally
1
rarely
2
Planned Initials Type
Other Decoration Frequency
never
1
normally
1
occasionally
1
often
2
sometimes
2
Other Decoration Type
banner
1
decorative final long
2
littera notabilior
2
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Number of staves: 13
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1
Seville, Spain, Biblioteca Capitular y Colombina, MS 5-1-43 (olim Z Tab. 135, N.° 33), c. 1470-85, All folios
1