PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Italy
1
Silesia
3
Cities
Milan
1
Zagan
3
Production method
Manuscript
4
Physical type
choirbook
1
partbooks (complete set)
3
Material
paper
4
Format
oblong
3
upright
1
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
none visible
4
Height of Staves
Colour of Staves
black
1
brown
4
Ruling Medium
double rastrum
1
single rastrum
4
Number of staves
11
1
12
1
4
3
Disposition of Voice Parts
1-part single page
3
2-part opening
1
n/a
1
Indentation for Initials
none
3
single
1
Extra Space Between Voice Parts
empty ruled staves on grid
4
Space Provided for Separate Text
no separate text
1
not in dedicated space
3
Adhoc Adaptation
made for complete additional staves
4
notation and staves extended into margin
4
partial additional staves
3
Copying of Music
Colour of Notation
black
4
Type of Notation
void mensural
4
Monophonic Notation
absent
4
Level of Calligraphy
fair
4
Non-verbal Performance Instructions
Copying of Text
Language
Czech
3
French
3
German
3
Latin
4
Presence or Absence of Text
fully texted with one text
4
fully texted with two or more texts
1
partially texted with one or two texts
1
partially texted with two or more texts
1
provided with single incipit
3
untexted
3
Type of Script
cursive (German)
3
Level of Calligraphy
fair
3
Colour of Text
black
3
Multiple Texts
yes
3
Decoration
Miniatures Frequency
Borders Frequency
Borders Size
Painted Initials Frequency
Painted Initials Type
Penned Initials Frequency
always
1
normally
2
Penned Initials Type
plain initials
3
Planned Initials Frequency
Planned Initials Type
Other Decoration Frequency
Other Decoration Type
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Adhoc adaptation: made for complete additional staves
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2
London, Great Britain, Lambeth Palace Library, MS 1, Late 1520s, All folios
Cambridge, Great Britain, Gonville and Caius College, MS 667/760, Late 1520s, All folios
1