PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Belgium
5
France
1
Italy
6
Cities
Brussels
5
Burgundy
1
Florence
4
France
3
Italy (North)
1
Mechelen
5
Milan
1
Naples
1
Paris
1
Rome
1
Venice
1
Production method
Manuscript
18
Physical type
choirbook
17
polyphonic music manuscript appended to polyphonic music print
1
Material
paper
6
paper (with parchment)
1
parchment
10
parchment (with paper)
1
Format
oblong
2
upright
16
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
6
never
1
none visible
9
normally
2
rarely
1
Height of Staves
Colour of Staves
black
8
brown
6
dark brown
2
gold
1
red
2
Ruling Medium
double rastrum
1
freehand
1
quadruple rastrum
1
single rastrum
15
triple rastrum
3
Number of staves
1
2
10
9
11
3
12
2
2
2
4
1
5
3
6
10
7
6
8
9
9
7
Disposition of Voice Parts
1-part single page
4
2-part opening
7
2-part single page
5
3-part opening
16
3-part single page
5
4-part opening
18
4-part single page
5
5-part opening
9
5-part single page
1
6-part opening
2
Indentation for Initials
double
7
none
9
quadruple
3
single
10
triple
6
Extra Space Between Voice Parts
empty ruled staves on grid
18
none
1
staves not ruled
2
staves not ruled on grid
5
Space Provided for Separate Text
no separate text
13
not in dedicated space
7
provided, in dedicated space
1
Adhoc Adaptation
made for complete additional staves
2
none
1
notation and staves extended into margin
16
notation extended into margin
9
partial additional staves
5
staveline added
1
staves extended into margin
1
Copying of Music
Colour of Notation
black
10
brown
7
dark brown
1
gold
1
light brown
1
red
2
Type of Notation
full mensural
2
void mensural
17
Monophonic Notation
absent
16
present
2
Level of Calligraphy
fair
5
high
6
very high
8
Non-verbal Performance Instructions
coronae
1
end symbol
3
pointers
2
repeat signs
8
signa congruentiae
14
signes-de-renvoi
12
Copying of Text
Language
Dutch
4
Flemish
2
French
12
German
1
Italian
6
Latin
15
Spanish
2
Presence or Absence of Text
fully texted and provided with incipit
1
fully texted with one or two texts
6
fully texted with one text
17
fully texted with two or more texts
5
fully texted with two texts
3
partially texted with one or two texts
2
partially texted with one text
7
provided with one or two incipits
2
provided with single incipit
11
provided with two incipits
2
untexted
10
Type of Script
cursive
3
cursive (bastarda)
10
cursive (italic)
2
display script
9
hybrida
3
roman
2
textura
1
Level of Calligraphy
fair
4
high
10
poor
1
very high
7
Colour of Text
black
11
blue
2
brown
7
dark brown
2
gold
1
light brown
1
red
10
yellow
1
Multiple Texts
no
9
yes
12
Decoration
Miniatures Frequency
never
1
rarely
9
Borders Frequency
always
2
never
1
rarely
8
Borders Size
full borders
4
partial borders: one- and two-sided
2
partial borders: one-sided
3
partial borders: two- and three-sided
1
Painted Initials Frequency
always
2
never
2
normally
1
occasionally
1
rarely
5
sometimes
1
Painted Initials Type
decorated
4
Penned Initials Frequency
normally
9
occasionally
5
often
3
rarely
5
sometimes
1
Penned Initials Type
calligraphic
3
calligraphic with decoration
5
calligraphic with grotesque heads
4
decorated
1
flourished
2
historiated
1
plain initials
1
Planned Initials Frequency
never
4
normally
3
often
1
rarely
5
sometimes
2
Planned Initials Type
Guide letters only
2
Other Decoration Frequency
always
2
never
7
normally
1
often
2
Other Decoration Type
decorated letters
1
decorative final long
2
embellished final barline
1
littera notabilior
2
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Level of calligraphy music: high
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1
Cambridge, Great Britain, Gonville and Caius College, MS 667/760, Late 1520s, All folios
1