PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Austria
2
Belgium
14
France
4
Germany
4
Italy
33
Spain
10
Switzerland
1
Cities
Antwerp
1
Barcelona
1
Basel
1
Belgium
1
Bologna
1
Bruges
1
Brussels
7
Catalonia
2
Corbie
1
Ferrara
1
Florence
16
Fossombrone
2
France
6
Germany (South)
1
Girona
1
Glarus, Switzerland
1
Italy
3
Italy (North)
4
Lyons
1
Mantua
2
Mechelen
12
Milan
1
Modena
1
Munich
3
Naples
3
Netherlands
1
Padua
1
Paris
3
Pisa
1
Pordenone
1
Rome
3
Segovia
1
Seville
2
Spain
1
Tarazona
3
Toledo
1
Venice
3
Verona
1
Vic
1
Vienna
2
Wittenberg
1
Zaragoza
1
Production method
Manuscript
75
Printed work
8
Physical type
choirbook
56
composite manuscript with interpolated polyphony
2
monophonic manuscript with interpolated polyphony
1
music treatise(s) with appended monophony and polyphony
1
music treatise(s) with appended polyphony
1
non-music manuscript with interpolated polyphony
2
partbook (single)
2
partbooks (complete set)
10
partbooks (incomplete set)
4
polyphonic music manuscript appended to polyphonic music print
2
printed treatise with added polyphony
1
tablebook
1
Material
paper
49
paper (with parchment)
4
parchment
26
parchment (with paper)
2
parchment and paper (mixed)
2
Format
bound upright but prepared oblong
1
oblong
25
upright
57
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
16
n/a
8
never
11
none visible
36
normally
4
occasionally
2
often
4
rarely
1
sometimes
3
Height of Staves
Colour of Staves
black
31
brown
27
dark brown
12
gold
1
light brown
4
red
6
red-brown
1
reddish brown
3
Ruling Medium
double rastrum
8
freehand
2
quadruple rastrum
1
single rastrum
55
straightedge
6
triple rastrum
10
Number of staves
1
3
10
30
11
12
12
5
2
7
3
12
4
20
5
18
6
35
7
21
8
29
9
23
Disposition of Voice Parts
1-part single page
32
12-part opening
1
2-part consecutive
2
2-part opening
23
2-part score
1
2-part single page
18
3-part consecutive
2
3-part opening
50
3-part score
2
3-part single page
16
4-part consecutive
2
4-part opening
56
4-part score
1
4-part single page
20
5-part opening
30
5-part single page
3
6-part opening
11
7-part opening
1
8-part opening
1
n/a
1
Indentation for Initials
double
27
none
39
quadruple
1
single
52
triple
12
Extra Space Between Voice Parts
empty ruled staves on grid
55
left below voice parts as part of grid
1
left between voice parts as part of grid
4
none
13
staves not ruled
3
staves not ruled on grid
19
variable space, not on grid
7
Space Provided for Separate Text
no separate text
54
not in dedicated space
25
provided, in dedicated space
16
Adhoc Adaptation
Indentation for initials filled in
4
made for complete additional staves
19
none
1
notation and staves extended into margin
52
notation extended into margin
34
other
3
partial additional staves
26
staveline added
19
staves extended into margin
7
Copying of Music
Colour of Notation
black
47
brown
26
dark brown
12
gold
1
light brown
4
red
2
red-brown
1
reddish brown
1
Type of Notation
chant (square)
4
full mensural
6
void mensural
80
Monophonic Notation
absent
70
present
16
Level of Calligraphy
fair
34
high
29
n/a
8
poor
2
very high
13
Non-verbal Performance Instructions
coronae
18
custodes
2
end symbol
13
pointers
7
repeat signs
36
signa congruentiae
46
signes-de-renvoi
43
space-filler
4
Copying of Text
Language
Dutch
9
Flemish
4
French
35
German
2
Italian
31
Latin
69
Spanish
13
n/a
1
Presence or Absence of Text
fully texted and provided with incipit
2
fully texted with one or two texts
33
fully texted with one text
65
fully texted with two or more texts
9
fully texted with two texts
6
partially texted with one or two texts
9
partially texted with one text
28
partially texted with two texts
1
provided with one or two incipits
14
provided with single incipit
41
provided with two incipits
4
untexted
35
Type of Script
antiqua
1
cursive
12
cursive (German)
1
cursive (bastarda)
24
cursive (humanistic)
13
cursive (italic)
12
display script
16
humanistic
3
hybrida
8
roman
5
rotonda
6
textura
9
Level of Calligraphy
fair
31
high
32
n/a
8
poor
9
very high
13
Colour of Text
black
44
blue
3
brown
31
dark brown
12
gold
1
grey
1
light brown
3
red
25
red-brown
1
reddish brown
2
yellow
1
Multiple Texts
no
43
yes
47
Decoration
Miniatures Frequency
always
1
never
10
normally
1
rarely
18
Borders Frequency
always
2
never
12
occasionally
1
rarely
20
Borders Size
full and partial borders
1
full borders
7
partial borders: one- and two-sided
4
partial borders: one-sided
5
partial borders: three-sided
2
partial borders: two- and three-sided
1
partial borders: two-sided
3
Painted Initials Frequency
always
3
never
4
normally
4
occasionally
2
often
3
rarely
17
sometimes
2
Painted Initials Type
calligraphic with decoration
2
decorated
14
decorated with grotesque heads
3
flourished
2
historiated
3
plain initials
1
trompe l'oeil
1
zoomorphic initial
2
Penned Initials Frequency
always
9
never
1
normally
35
occasionally
9
often
8
rarely
14
sometimes
7
Penned Initials Type
calligraphic
36
calligraphic with decoration
12
calligraphic with grotesque heads
13
decorated
4
decorated with grotesque heads
5
flourished
10
historiated
1
littera notabilior
1
plain initials
14
Planned Initials Frequency
always
1
never
7
normally
6
occasionally
4
often
8
rarely
15
sometimes
5
Planned Initials Type
Guide letters only
3
Other Decoration Frequency
always
4
never
11
normally
3
occasionally
4
often
7
rarely
8
sometimes
4
Other Decoration Type
Voice-names
2
banner
4
decorated letters
3
decorative final long
8
embellished final barline
2
end-symbol
6
littera notabilior
7
ornament
1
signes-de-renvoi
1
vignette
1
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1
Jena, Germany, Thüringer Universitäts- und Landesbibliothek, MS 33, 1495-1520, All folios
1