PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Belgium
13
France
5
Germany
2
Italy
37
Spain
10
Switzerland
1
Cities
Antwerp
1
Barcelona
1
Basel
1
Belgium
1
Bologna
2
Bruges
1
Brussels
7
Catalonia
2
Cognac
1
Corbie
1
Ferrara
2
Florence
16
Fossombrone
2
France
6
Germany (South)
1
Girona
1
Glarus, Switzerland
1
Italy
3
Italy (North)
4
Lyons
1
Mantua
2
Mechelen
11
Milan
1
Modena
4
Munich
1
Naples
3
Netherlands
1
Padua
1
Paris
3
Pisa
1
Pordenone
1
Rome
3
Segovia
1
Seville
2
Siena
1
Spain
1
Tarazona
3
Toledo
1
Venice
3
Vic
1
Wittenberg
1
Zaragoza
1
Production method
Manuscript
76
Printed work
9
Physical type
choirbook
57
composite manuscript with interpolated polyphony
2
monophonic manuscript with interpolated polyphony
1
music treatise(s) containing polyphony
1
music treatise(s) with appended monophony and polyphony
1
music treatise(s) with appended polyphony
1
non-music manuscript with interpolated polyphony
2
partbook (single)
2
partbooks (complete set)
10
partbooks (incomplete set)
4
polyphonic music manuscript appended to polyphonic music print
2
printed treatise with added polyphony
1
tablebook
1
Material
paper
52
paper (with parchment)
4
parchment
25
parchment (with paper)
2
parchment and paper (mixed)
2
Format
bound upright but prepared oblong
1
oblong
26
upright
58
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
16
n/a
9
never
12
none visible
36
normally
5
occasionally
2
often
4
rarely
1
sometimes
3
Height of Staves
Colour of Staves
black
29
brown
30
dark brown
13
gold
1
light brown
5
red
6
red-brown
1
reddish brown
3
Ruling Medium
double rastrum
10
freehand
2
quadruple rastrum
1
single rastrum
56
straightedge
6
triple rastrum
9
Number of staves
1
3
10
31
11
12
12
7
2
5
3
10
4
19
5
16
6
32
7
19
8
28
9
23
Disposition of Voice Parts
1-part single page
33
12-part opening
1
2-part consecutive
3
2-part opening
23
2-part score
1
2-part single page
19
3-part consecutive
2
3-part opening
50
3-part score
2
3-part single page
18
4-part consecutive
3
4-part opening
58
4-part score
1
4-part single page
22
5-part opening
30
5-part single page
2
6-part opening
11
7-part opening
1
8-part opening
1
Indentation for Initials
double
25
none
43
quadruple
1
single
53
triple
11
Extra Space Between Voice Parts
empty ruled staves on grid
59
left below voice parts as part of grid
1
left between voice parts as part of grid
3
none
15
staves not ruled
3
staves not ruled on grid
17
variable space, not on grid
5
Space Provided for Separate Text
no separate text
53
not in dedicated space
27
provided, in dedicated space
17
Adhoc Adaptation
Indentation for initials filled in
4
made for complete additional staves
22
none
1
notation and staves extended into margin
51
notation extended into margin
35
other
3
partial additional staves
27
staveline added
19
staves extended into margin
7
Copying of Music
Colour of Notation
black
46
blue
1
brown
30
dark brown
11
gold
2
light brown
3
red
2
red-brown
1
reddish brown
1
Type of Notation
chant (square)
4
full mensural
6
void mensural
82
Monophonic Notation
absent
74
present
15
Level of Calligraphy
fair
36
high
29
n/a
9
poor
2
very high
12
Non-verbal Performance Instructions
coronae
18
cue notes
1
custodes
1
end symbol
14
pointers
7
repeat signs
36
signa congruentiae
44
signes-de-renvoi
45
space-filler
5
Copying of Text
Language
Dutch
10
Flemish
4
French
39
German
2
Italian
32
Latin
70
Spanish
13
n/a
1
Presence or Absence of Text
fully texted and provided with incipit
2
fully texted with one or two texts
32
fully texted with one text
68
fully texted with two or more texts
8
fully texted with two texts
5
partially texted with one or two texts
10
partially texted with one text
28
partially texted with two texts
1
provided with one or two incipits
15
provided with single incipit
45
provided with two incipits
4
untexted
37
Type of Script
Italic
1
antiqua
1
cursive
14
cursive (German)
1
cursive (bastarda)
24
cursive (humanistic)
13
cursive (italic)
12
display script
13
humanistic
3
hybrida
8
roman
5
rotonda
6
textura
8
Level of Calligraphy
fair
32
high
32
n/a
9
poor
9
very high
12
Colour of Text
black
42
blue
3
brown
36
dark brown
11
gold
1
grey
1
light brown
2
red
22
red-brown
1
reddish brown
2
yellow
1
Multiple Texts
no
46
yes
45
Decoration
Miniatures Frequency
always
1
never
10
normally
1
rarely
18
Borders Frequency
always
2
never
12
occasionally
1
rarely
18
Borders Size
full and partial borders
1
full borders
7
partial borders: one- and two-sided
3
partial borders: one-sided
4
partial borders: three-sided
2
partial borders: two- and three-sided
1
partial borders: two-sided
3
Painted Initials Frequency
always
3
never
4
normally
4
occasionally
2
often
2
rarely
16
sometimes
2
Painted Initials Type
calligraphic with decoration
2
decorated
12
decorated with grotesque heads
2
flourished
2
historiated
3
plain initials
1
trompe l'oeil
1
zoomorphic initial
2
Penned Initials Frequency
always
9
never
1
normally
35
occasionally
7
often
11
rarely
15
sometimes
8
Penned Initials Type
calligraphic
37
calligraphic with decoration
13
calligraphic with grotesque heads
14
decorated
5
decorated with grotesque heads
6
flourished
11
historiated
1
littera notabilior
2
plain initials
14
Planned Initials Frequency
always
1
never
6
normally
6
occasionally
4
often
8
rarely
15
sometimes
6
Planned Initials Type
Guide letters only
3
Other Decoration Frequency
always
4
never
10
normally
4
occasionally
5
often
8
rarely
8
sometimes
6
Other Decoration Type
Voice-names
3
banner
4
decorated letters
4
decorative final long
10
embellished final barline
3
end-symbol
6
littera notabilior
7
ornament
1
signes-de-renvoi
1
vignette
1
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Locations name: Wittenberg
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1
Cambridge, Great Britain, Gonville and Caius College, MS 667/760, Late 1520s, All folios
1