PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
France
1
Italy
5
Spain
2
Cities
Florence
4
France
4
Naples
1
Paris
1
Rome
1
Seville
1
Vic
1
Production method
Manuscript
11
Physical type
choirbook
10
partbooks (complete set)
1
Material
paper
5
paper (with parchment)
1
parchment
5
Format
oblong
3
upright
8
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
1
never
2
none visible
7
normally
1
rarely
1
Height of Staves
Colour of Staves
black
2
brown
4
dark brown
2
gold
1
light brown
1
red
1
reddish brown
1
Ruling Medium
double rastrum
3
freehand
1
quadruple rastrum
1
single rastrum
6
straightedge
1
triple rastrum
4
Number of staves
1
1
10
2
11
1
12
1
2
1
3
1
4
1
5
1
6
6
7
3
8
4
Disposition of Voice Parts
1-part single page
3
2-part opening
1
2-part single page
5
3-part opening
9
3-part single page
3
4-part opening
9
4-part single page
6
5-part opening
3
6-part opening
1
Indentation for Initials
double
1
none
8
single
6
Extra Space Between Voice Parts
empty ruled staves on grid
10
left between voice parts as part of grid
1
none
2
Space Provided for Separate Text
no separate text
5
not in dedicated space
8
provided, in dedicated space
3
Adhoc Adaptation
Indentation for initials filled in
2
made for complete additional staves
4
none
1
notation and staves extended into margin
10
notation extended into margin
7
partial additional staves
4
staveline added
4
staves extended into margin
1
Copying of Music
Colour of Notation
black
2
brown
7
dark brown
3
gold
1
light brown
3
Type of Notation
full mensural
1
void mensural
11
Monophonic Notation
absent
10
present
1
Level of Calligraphy
fair
7
high
3
poor
1
very high
2
Non-verbal Performance Instructions
coronae
1
end symbol
4
pointers
3
repeat signs
11
signa congruentiae
7
signes-de-renvoi
6
Copying of Text
Language
Dutch
4
French
9
German
1
Italian
7
Latin
8
Spanish
2
n/a
1
Presence or Absence of Text
fully texted and provided with incipit
1
fully texted with one or two texts
9
fully texted with one text
8
fully texted with two texts
4
partially texted with one or two texts
3
partially texted with one text
7
provided with one or two incipits
2
provided with single incipit
11
provided with two incipits
2
untexted
9
Type of Script
cursive
3
cursive (bastarda)
3
cursive (humanistic)
1
cursive (italic)
2
display script
1
hybrida
3
roman
1
Level of Calligraphy
fair
5
high
6
poor
3
very high
1
Colour of Text
black
3
brown
6
dark brown
4
gold
1
light brown
3
red
1
yellow
1
Multiple Texts
no
5
yes
9
Decoration
Miniatures Frequency
never
1
rarely
4
Borders Frequency
always
2
never
1
rarely
4
Borders Size
full borders
2
partial borders: one- and two-sided
1
partial borders: one-sided
1
partial borders: two- and three-sided
1
partial borders: two-sided
1
Painted Initials Frequency
always
3
normally
1
occasionally
1
often
1
sometimes
1
Painted Initials Type
decorated
6
Penned Initials Frequency
normally
1
occasionally
1
often
3
rarely
1
Penned Initials Type
calligraphic
4
calligraphic with decoration
2
calligraphic with grotesque heads
1
decorated
1
plain initials
1
Planned Initials Frequency
normally
3
often
1
rarely
4
sometimes
2
Planned Initials Type
Guide letters only
2
Other Decoration Frequency
often
1
sometimes
1
Other Decoration Type
decorative final long
1
littera notabilior
1
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Presence absence of text: provided with single incipit
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2
Barcelona, Spain, Biblioteca de Catalunya, M. 681 (=PedC 386), c. 1525-1550, All folios
Zaragoza, Spain, Iglesia Metropolitana de la Virgen del Pilar, Archivo Musical, Armario C-3, MS 17, 16th century,
1