PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Belgium
5
Czech Republic
2
France
3
Germany
3
Great Britain
3
Italy
24
Netherlands
1
Silesia
3
Spain
2
Switzerland
3
Cities
Basel
3
Belgium
1
Bologna
2
Bourges
1
Brussels
4
Burgundy
1
Casale Monferrato
1
Catalonia
1
Eton
1
Ferrara
7
Florence
10
France
2
Germany (South)
1
Glarus, Switzerland
1
Halberstadt
1
Hradec Králové
2
Italy (North)
2
Leipzig
2
London
2
Mantua
2
Mechelen
5
Milan
3
Netherlands
1
Padua
1
Paris
2
Rheinfelden
2
Segovia
1
Siena
1
Toledo
1
Torgau
1
Utrecht
1
Venice
1
Zagan
3
Zaragoza
1
Production method
Manuscript
57
Physical type
chansonnier
1
choirbook
39
choirbook (single quire(s))
1
music treatise(s) containing polyphony
1
music treatise(s) with appended polyphony
1
partbook (single)
4
partbooks (complete set)
7
partbooks (incomplete set)
1
poetry collection with some notated music
1
polyphonic music manuscript appended to polyphonic music print
1
Material
paper
34
paper (with parchment)
1
parchment
20
parchment (with paper)
2
Format
oblong
9
upright
48
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
13
never
8
none visible
29
normally
6
often
3
rarely
2
sometimes
2
Height of Staves
Colour of Staves
black
26
brown
31
dark brown
4
gold
1
light brown
1
red
3
reddish brown
1
Ruling Medium
double rastrum
5
freehand
5
quadruple rastrum
1
single rastrum
45
straightedge
6
triple rastrum
6
Number of staves
1
3
10
21
11
13
12
12
13
7
14
2
15
1
16
1
17
1
2
7
3
7
4
11
5
8
6
19
7
11
8
14
9
18
Disposition of Voice Parts
1-part single page
22
2-part consecutive
2
2-part opening
21
2-part score
1
2-part single page
12
3-part consecutive
2
3-part opening
32
3-part single page
13
4-part consecutive
2
4-part opening
40
4-part single page
13
5-part consecutive
1
5-part opening
22
5-part single page
1
6-part consecutive
1
6-part opening
9
7-part consecutive
1
7-part opening
1
8-part consecutive
1
8-part opening
3
9-part consecutive
1
9-part opening
1
n/a
4
Indentation for Initials
all staves indented
1
double
9
none
34
quintuple
1
single
28
triple
7
varies
2
Extra Space Between Voice Parts
empty ruled staves on grid
45
left below voice parts as part of grid
2
left between voice parts as part of grid
4
none
12
staves not ruled
1
staves not ruled on grid
9
variable space, not on grid
2
Space Provided for Separate Text
no separate text
32
not in dedicated space
21
provided, in dedicated space
12
Adhoc Adaptation
Indentation for initials filled in
4
made for complete additional staves
20
none
1
notation and staves extended into margin
57
notation extended into margin
27
other
3
partial additional staves
27
staveline added
12
staves extended into margin
1
Copying of Music
Colour of Notation
black
38
blue
1
brown
23
dark brown
5
gold
1
red
4
Type of Notation
German hufnagel
1
chant (square)
6
full mensural
5
void mensural
56
Monophonic Notation
absent
49
present
13
Level of Calligraphy
fair
27
high
20
poor
6
very high
8
Non-verbal Performance Instructions
coronae
4
end symbol
9
none
2
pointers
3
repeat signs
17
signa congruentiae
19
signes-de-renvoi
23
space-filler
2
Copying of Text
Language
Czech
5
Dutch
3
English
2
Flemish
3
French
26
German
6
Italian
11
Latin
57
Spanish
2
Presence or Absence of Text
fully texted and provided with incipit
1
fully texted with one or two texts
13
fully texted with one text
49
fully texted with two or more texts
7
fully texted with two texts
3
partially texted with one or two texts
4
partially texted with one text
17
partially texted with two or more texts
1
provided with multiple incipits
2
provided with one or two incipits
7
provided with single incipit
29
provided with two incipits
2
untexted
27
varies
2
Type of Script
antiqua
1
cursive
15
cursive (Anglicana)
1
cursive (German)
5
cursive (bastarda)
13
cursive (humanistic)
3
cursive (italic)
5
display script
6
humanistic
2
hybrida
3
roman
2
rotonda
1
textura
10
Level of Calligraphy
fair
24
high
21
poor
5
very high
9
Colour of Text
black
34
blue
4
brown
25
dark brown
4
gold
1
grey
1
red
17
Multiple Texts
no
33
yes
29
Decoration
Miniatures Frequency
never
6
none visible
1
rarely
13
Borders Frequency
always
1
never
5
occasionally
1
rarely
13
Borders Size
full and partial borders
1
full borders
4
partial borders: one-sided
4
partial borders: two- and three-sided
1
partial borders: two-sided
7
Painted Initials Frequency
always
2
never
2
normally
4
occasionally
1
often
5
rarely
10
sometimes
1
Painted Initials Type
calligraphic
1
calligraphic with decoration
1
decorated
13
decorated with grotesque heads
3
flourished
5
historiated
3
plain initials
2
zoomorphic initial
2
Penned Initials Frequency
always
6
never
1
normally
25
occasionally
7
often
2
rarely
10
sometimes
4
Penned Initials Type
calligraphic
21
calligraphic with decoration
10
calligraphic with grotesque heads
11
decorated
3
decorated with grotesque heads
1
flourished
13
historiated
1
plain initials
14
Planned Initials Frequency
always
4
never
5
normally
4
occasionally
4
often
3
rarely
9
sometimes
1
Planned Initials Type
Other Decoration Frequency
always
3
never
7
normally
5
occasionally
4
often
6
rarely
3
sometimes
2
Other Decoration Type
banner
3
decorated letters
2
decorative final long
6
embellished final barline
2
end-symbol
3
littera notabilior
8
signes-de-renvoi
1
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Adhoc adaptation: notation and staves extended into margin
Copy language name: Latin
Search results
1
Jena, Germany, Thüringer Universitäts- und Landesbibliothek, MS 4, c. 1516-18, All folios
1