PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Italy
10
Cities
Florence
10
Production method
Manuscript
10
Physical type
choirbook
5
partbook (single)
2
partbooks (complete set)
3
Material
paper
6
paper (with parchment)
1
parchment
3
Format
oblong
8
upright
2
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
none visible
10
rarely
1
Height of Staves
Colour of Staves
black
1
brown
7
dark brown
2
gold
1
Ruling Medium
double rastrum
4
freehand
2
quadruple rastrum
1
single rastrum
2
triple rastrum
7
Number of staves
1
1
2
1
3
4
4
3
6
3
7
1
8
1
Disposition of Voice Parts
1-part single page
7
2-part opening
1
2-part score
1
2-part single page
2
3-part opening
5
3-part score
1
3-part single page
2
4-part opening
5
4-part score
1
4-part single page
3
5-part opening
2
Indentation for Initials
none
7
single
4
Extra Space Between Voice Parts
empty ruled staves on grid
6
left between voice parts as part of grid
1
none
4
Space Provided for Separate Text
no separate text
5
not in dedicated space
7
provided, in dedicated space
2
Adhoc Adaptation
made for complete additional staves
1
notation and staves extended into margin
10
notation extended into margin
5
partial additional staves
4
staveline added
6
staves extended into margin
2
Copying of Music
Colour of Notation
black
1
brown
8
dark brown
2
gold
1
light brown
1
Type of Notation
full mensural
2
void mensural
9
Monophonic Notation
absent
10
Level of Calligraphy
fair
6
high
3
very high
1
Non-verbal Performance Instructions
coronae
1
end symbol
1
pointers
1
repeat signs
10
signa congruentiae
5
signes-de-renvoi
3
Copying of Text
Language
Dutch
3
French
8
Italian
9
Latin
8
Spanish
2
Presence or Absence of Text
fully texted with one or two texts
10
fully texted with one text
6
fully texted with two texts
1
partially texted with one or two texts
1
partially texted with one text
7
partially texted with two texts
1
provided with one or two incipits
1
provided with single incipit
9
provided with two incipits
2
untexted
7
Type of Script
cursive
1
cursive (bastarda)
2
cursive (humanistic)
1
cursive (italic)
6
hybrida
1
roman
1
Level of Calligraphy
fair
6
high
3
poor
1
very high
1
Colour of Text
black
1
brown
7
dark brown
2
gold
1
light brown
1
Multiple Texts
no
3
yes
9
Decoration
Miniatures Frequency
rarely
2
Borders Frequency
rarely
3
Borders Size
full borders
1
partial borders: one-sided
1
partial borders: three-sided
1
partial borders: two-sided
1
Painted Initials Frequency
normally
2
often
1
rarely
2
sometimes
1
Painted Initials Type
decorated
4
historiated
1
zoomorphic initial
1
Penned Initials Frequency
normally
3
often
2
Penned Initials Type
calligraphic
1
decorated
1
plain initials
3
Planned Initials Frequency
normally
2
rarely
1
sometimes
2
Planned Initials Type
Other Decoration Frequency
rarely
2
Other Decoration Type
littera notabilior
2
Filters applied
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Pricking frequency: none visible
Presence absence of text: fully texted with one or two texts
Locations name: Florence
Adhoc adaptation: notation and staves extended into margin
Search results
2
Contrapunctus seu figurata musica super plano cantu missarum solennium totius anni, Lyons, France, 1528, , August 1528, 90
Mouton: Missarum 1, Fossombrone, Italy, 1515, , "M D X V .Die XI .Augusti.", All
1