PRoMs - The Production and Reading of Music Sources

Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
Search
Filters
Date
  • Incorrect format; use the slider to select values.
Locations of Origin
Countries
Cities
Production method
Physical type
Material
Format
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
Height of Staves
Colour of Staves
Ruling Medium
Number of staves
Disposition of Voice Parts
Indentation for Initials
Extra Space Between Voice Parts
Space Provided for Separate Text
Adhoc Adaptation
Copying of Music
Colour of Notation
Type of Notation
Monophonic Notation
Level of Calligraphy
Non-verbal Performance Instructions
Copying of Text
Language
Presence or Absence of Text
Type of Script
Level of Calligraphy
Colour of Text
Multiple Texts
Decoration
Miniatures Frequency
Borders Frequency
Borders Size
Painted Initials Frequency
Painted Initials Type
Penned Initials Frequency
Penned Initials Type
Planned Initials Frequency
Planned Initials Type
Other Decoration Frequency
Other Decoration Type

Filters applied

Clear all filters
Adhoc adaptation: notation extended into margin Disposition of voice part: 5-part single page Disposition of voice part: 1-part single page Type of script: cursive (Anglicana) Disposition of voice part: 3-part consecutive Type of notation: strene notation Level of calligraphy text: fair

Search results

25
  1. London, Great Britain, British Library, MS Royal 11 E. xi, 1516, All folios
  2. Paris, France, Bibliothèque Nationale, fonds français MS 1597 (olim Colbert 1625), c. 1500, All folios
  3. Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167, c. 1515-c. 1540, MS Magliabechi XIX.167 (Cantus), All folios
  4. Brussels, Belgium, Bibliothèque Royal Albert 1er/Koninklijke Bibliotheek Albert I, MS 9126, 1504-1505, All folios
  5. Florence, Italy, Biblioteca Nazionale Centrale, MS II.I.232 (olim Magliabechi XIX.58), c. 1515-1521, All folios