PRoMs - The Production and Reading of Music Sources

Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
Search
Filters
Date
Locations of Origin
Countries
Cities
Production method
Physical type
Material
Format
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
Height of Staves
Colour of Staves
Ruling Medium
Number of staves
Disposition of Voice Parts
Indentation for Initials
Extra Space Between Voice Parts
Space Provided for Separate Text
Adhoc Adaptation
Copying of Music
Colour of Notation
Type of Notation
Monophonic Notation
Level of Calligraphy
Non-verbal Performance Instructions
Copying of Text
Language
Presence or Absence of Text
Type of Script
Level of Calligraphy
Colour of Text
Multiple Texts
Decoration
Miniatures Frequency
Borders Frequency
Borders Size
Painted Initials Frequency
Painted Initials Type
Penned Initials Frequency
Penned Initials Type
Planned Initials Frequency
Planned Initials Type
Other Decoration Frequency
Other Decoration Type

Filters applied

Clear all filters
Type of notation: chant (square) Production method: Manuscript Ruling medium: freehand Disposition of voice part: 3-part score Other decoration type: end-symbol Adhoc adaptation: notation and staves extended into margin Presence absence of text: fully texted with one or two texts

Search results

4
  1. London, Great Britain, Lambeth Palace Library, MS 1, Late 1520s, All folios
  2. Zaragoza, Spain, Iglesia Metropolitana de la Virgen del Pilar, Archivo Musical, Armario C-3, MS 17, 16th century,
  3. Cambridge, Great Britain, Gonville and Caius College, MS 667/760, Late 1520s, All folios
  4. Toledo, Spain, Catedral, Obra y Fabrica, MS Reservado 23, c. 1520-1535, All folios