PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
Toggle navigation
Home
Search
About
How to use the resource
Source list
Bibliography
Search
Search:
Filters
Date
Locations of Origin
Countries
Belgium
18
France
2
Germany
7
Great Britain
5
Italy
24
Netherlands
2
Spain
4
Cities
Antwerp
1
Belgium
1
Brussels
11
Catalonia
1
Emmerich
1
England
1
Ferrara
5
Florence
7
France
5
Germany (South)
4
Halberstadt
1
Italy
1
Italy (North)
3
Köln
1
Leipzig
2
London
4
Lyons
1
Maastricht
1
Mantua
2
Mechelen
17
Milan
1
Naples
4
Netherlands
1
Paris
1
Pisa
1
Pordenone
1
Rome
4
Segovia
1
Seville
1
Switzerland
1
Tarazona
1
Toledo
1
Torgau
1
Utrecht
1
Venice
2
Wittenberg
1
Zaragoza
1
Production method
Manuscript
77
Printed work
2
Physical type
choirbook
58
choirbook (fragment)
1
composite manuscript with interpolated polyphony
1
music treatise(s) containing polyphony
2
music treatise(s) with appended monophony and polyphony
1
music treatise(s) with appended polyphony
1
non-music manuscript with interpolated polyphony
3
partbook (fragment)
1
partbooks (complete set)
5
partbooks (incomplete set)
1
poetry collection with some notated music
2
polyphonic music manuscript appended to polyphonic music print
1
printed treatise with added polyphony
1
single leaf
1
Material
paper
31
paper (with parchment)
6
parchment
38
parchment (with paper)
2
parchment and paper (mixed)
2
Format
oblong
9
upright
70
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
25
n/a
2
never
16
none visible
25
normally
5
occasionally
1
often
6
rarely
1
sometimes
3
Height of Staves
Colour of Staves
black
47
brown
24
dark brown
7
gold
1
light brown
2
red
4
red-brown
1
reddish brown
3
Ruling Medium
double rastrum
1
freehand
5
printed staves
4
quadruple rastrum
2
single rastrum
63
straightedge
9
triple rastrum
4
Number of staves
1
4
10
37
11
21
12
8
13
3
14
2
2
6
3
8
4
5
5
15
6
25
7
26
8
32
9
39
Disposition of Voice Parts
1-part single page
18
2-part consecutive
5
2-part opening
25
2-part single page
17
3-part consecutive
6
3-part opening
48
3-part score
1
3-part single page
19
4-part consecutive
2
4-part opening
60
4-part single page
15
5-part consecutive
1
5-part opening
31
5-part single page
4
6-part opening
9
7-part opening
1
8-part opening
2
n/a
3
Indentation for Initials
double
32
none
36
quadruple
4
single
48
triple
19
varies
1
Extra Space Between Voice Parts
empty ruled staves on grid
65
left below voice parts as part of grid
3
left between voice parts as part of grid
2
none
14
staves not ruled
3
staves not ruled on grid
24
variable space, not on grid
4
Space Provided for Separate Text
no separate text
54
not in dedicated space
21
provided, in dedicated space
13
Adhoc Adaptation
Indentation for initials filled in
2
made for complete additional staves
23
notation and staves extended into margin
49
notation extended into margin
31
other
3
partial additional staves
23
staveline added
10
staves extended into margin
8
Copying of Music
Colour of Notation
black
59
brown
21
dark brown
6
gold
1
light brown
2
red
6
red-brown
1
Type of Notation
German hufnagel
2
chant (square)
8
full mensural
7
strene notation
1
void mensural
77
Monophonic Notation
absent
63
present
23
Level of Calligraphy
fair
28
high
27
n/a
2
poor
6
very high
23
Non-verbal Performance Instructions
coronae
9
custodes
1
end symbol
14
none
1
pointers
7
repeat signs
21
signa congruentiae
36
signes-de-renvoi
51
space-filler
3
Copying of Text
Language
Dutch
8
English
1
Flemish
6
French
30
German
6
Italian
17
Latin
75
Spanish
8
n/a
1
Presence or Absence of Text
fully texted and provided with incipit
2
fully texted with one or two texts
18
fully texted with one text
70
fully texted with two or more texts
16
fully texted with two texts
4
partially texted with one or two texts
6
partially texted with one text
17
partially texted with two texts
1
provided with one or two incipits
11
provided with single incipit
28
provided with two incipits
3
untexted
30
varies
2
Type of Script
antiqua
1
cursive
17
cursive (Anglicana)
1
cursive (German)
3
cursive (bastarda)
30
cursive (humanistic)
9
cursive (italic)
2
display script
23
humanistic
3
hybrida
5
roman
2
rotonda
3
textura
15
Level of Calligraphy
fair
33
high
30
n/a
2
poor
4
very high
22
Colour of Text
black
55
blue
3
brown
24
dark brown
7
gold
1
grey
1
light brown
1
red
33
red-brown
1
yellow
1
Multiple Texts
no
43
yes
46
Decoration
Miniatures Frequency
always
2
never
10
normally
1
rarely
28
Borders Frequency
always
1
never
9
occasionally
2
rarely
28
Borders Size
full and partial borders
2
full borders
7
partial borders: one- and two-sided
3
partial borders: one-sided
7
partial borders: three-sided
2
partial borders: two- and three-sided
2
partial borders: two-sided
8
Painted Initials Frequency
always
3
never
6
normally
6
occasionally
3
often
4
rarely
23
sometimes
5
Painted Initials Type
calligraphic
1
calligraphic with decoration
1
decorated
16
decorated with grotesque heads
4
flourished
6
historiated
3
plain initials
5
trompe l'oeil
1
zoomorphic initial
3
Penned Initials Frequency
always
6
never
2
normally
40
occasionally
13
often
11
rarely
15
sometimes
8
Penned Initials Type
calligraphic
33
calligraphic with decoration
17
calligraphic with grotesque heads
14
decorated
9
decorated with grotesque heads
3
flourished
14
historiated
1
littera notabilior
4
plain initials
11
Planned Initials Frequency
always
3
never
13
normally
3
occasionally
5
often
6
rarely
15
sometimes
3
Planned Initials Type
Guide letters only
1
Other Decoration Frequency
always
2
never
17
normally
4
occasionally
7
often
6
rarely
7
sometimes
7
Other Decoration Type
Voice-names
1
banner
3
decorated letters
2
decorative final long
12
diagrams
1
embellished final barline
3
end-symbol
5
littera notabilior
3
ornament
1
signa congruentiae
1
signes-de-renvoi
1
vignette
1
Filters applied
No filters applied - select filters from the left to narrow your search.
Search results
1
Florence, Italy, Biblioteca Nazionale Centrale, MS Banco Rari 230 (olim Magliabechi XIX.141), c. 1500-1513, before 1515, All folios
1