PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Belgium
1
Italy
13
Cities
Belgium
1
Bologna
1
Bruges
1
Florence
7
France
1
Italy
1
Italy (North)
2
Mantua
1
Naples
2
Pisa
1
Pordenone
1
Rome
2
Production method
Manuscript
18
Physical type
choirbook
8
composite manuscript with interpolated polyphony
1
music treatise(s) with appended monophony and polyphony
1
music treatise(s) with appended polyphony
1
non-music manuscript with interpolated polyphony
1
partbooks (complete set)
4
polyphonic music manuscript appended to polyphonic music print
1
printed treatise with added polyphony
1
Material
paper
15
parchment
2
parchment and paper (mixed)
1
Format
oblong
9
upright
9
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
1
never
5
none visible
10
normally
1
sometimes
1
Height of Staves
Colour of Staves
black
2
brown
8
dark brown
7
light brown
1
red-brown
1
Ruling Medium
freehand
1
single rastrum
10
straightedge
2
triple rastrum
6
Number of staves
10
1
3
4
5
1
6
7
7
4
8
4
9
3
Disposition of Voice Parts
1-part single page
8
2-part consecutive
1
2-part opening
4
2-part score
1
2-part single page
8
3-part consecutive
2
3-part opening
12
3-part score
2
3-part single page
6
4-part consecutive
2
4-part opening
10
4-part score
1
4-part single page
5
5-part opening
2
5-part single page
1
Indentation for Initials
double
1
none
14
single
5
Extra Space Between Voice Parts
empty ruled staves on grid
11
left between voice parts as part of grid
1
none
6
Space Provided for Separate Text
no separate text
9
not in dedicated space
10
provided, in dedicated space
2
Adhoc Adaptation
Indentation for initials filled in
1
made for complete additional staves
4
notation and staves extended into margin
11
notation extended into margin
7
partial additional staves
5
staveline added
4
staves extended into margin
4
Copying of Music
Colour of Notation
black
5
brown
11
dark brown
2
light brown
1
red-brown
1
Type of Notation
full mensural
2
void mensural
17
Monophonic Notation
absent
18
present
1
Level of Calligraphy
fair
15
high
4
Non-verbal Performance Instructions
coronae
1
end symbol
4
pointers
1
repeat signs
10
signa congruentiae
7
signes-de-renvoi
9
Copying of Text
Language
Dutch
5
Flemish
1
French
14
German
1
Italian
18
Latin
18
Spanish
5
Presence or Absence of Text
fully texted with one or two texts
13
fully texted with one text
10
partially texted with one or two texts
3
partially texted with one text
8
provided with one or two incipits
3
provided with single incipit
14
untexted
10
Type of Script
cursive
4
cursive (bastarda)
2
cursive (humanistic)
4
cursive (italic)
7
display script
1
hybrida
1
textura
1
Level of Calligraphy
fair
18
high
1
poor
2
Colour of Text
black
5
blue
1
brown
14
dark brown
2
red
2
red-brown
1
reddish brown
1
yellow
1
Multiple Texts
no
8
yes
12
Decoration
Miniatures Frequency
Borders Frequency
Borders Size
Painted Initials Frequency
Painted Initials Type
Penned Initials Frequency
always
2
normally
8
occasionally
1
often
2
rarely
1
sometimes
3
Penned Initials Type
calligraphic
8
calligraphic with decoration
2
calligraphic with grotesque heads
2
decorated with grotesque heads
1
flourished
2
plain initials
6
Planned Initials Frequency
normally
2
occasionally
2
often
3
rarely
2
sometimes
2
Planned Initials Type
Guide letters only
2
Other Decoration Frequency
normally
2
occasionally
1
often
2
rarely
1
sometimes
1
Other Decoration Type
banner
1
decorated letters
1
decorative final long
2
embellished final barline
1
end-symbol
3
littera notabilior
1
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Copy language name: Italian
Level of calligraphy text: fair
Search results
2
Jena, Germany, Thüringer Universitäts- und Landesbibliothek, MS 3, 1518-20, All folios
Cambridge, Great Britain, Magdalene College, MS Pepys 1760, c. 1509-c. 1514, All folios
1