PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Germany
1
Spain
3
Switzerland
1
Cities
Basel
1
Catalonia
2
Girona
1
Halberstadt
1
Italy
1
Leipzig
1
Segovia
1
Toledo
1
Torgau
1
Vic
1
Production method
Manuscript
6
Physical type
choirbook
5
partbook (single)
1
Material
paper
6
Format
oblong
1
upright
5
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
1
never
1
none visible
3
normally
1
Height of Staves
Colour of Staves
black
2
brown
4
dark brown
1
Ruling Medium
double rastrum
2
single rastrum
3
straightedge
3
Number of staves
10
5
11
4
12
3
13
1
3
1
8
1
9
3
Disposition of Voice Parts
1-part single page
4
2-part opening
1
2-part single page
4
3-part consecutive
1
3-part opening
4
3-part single page
4
4-part opening
5
4-part single page
5
5-part opening
5
5-part single page
1
6-part opening
1
8-part opening
1
n/a
1
Indentation for Initials
double
1
none
3
single
4
varies
1
Extra Space Between Voice Parts
empty ruled staves on grid
4
left below voice parts as part of grid
2
left between voice parts as part of grid
1
none
1
Space Provided for Separate Text
no separate text
4
not in dedicated space
2
provided, in dedicated space
1
Adhoc Adaptation
Indentation for initials filled in
2
made for complete additional staves
4
notation and staves extended into margin
5
notation extended into margin
4
other
2
partial additional staves
6
staveline added
4
Copying of Music
Colour of Notation
black
4
brown
2
dark brown
2
reddish brown
1
Type of Notation
chant (square)
1
full mensural
1
void mensural
6
Monophonic Notation
absent
4
present
2
Level of Calligraphy
fair
4
high
1
poor
2
Non-verbal Performance Instructions
coronae
3
end symbol
4
pointers
2
repeat signs
5
signa congruentiae
4
signes-de-renvoi
5
space-filler
2
Copying of Text
Language
Flemish
1
French
2
German
2
Italian
1
Latin
5
Spanish
2
Presence or Absence of Text
fully texted and provided with incipit
1
fully texted with one or two texts
2
fully texted with one text
6
fully texted with two texts
1
partially texted with one text
4
provided with one or two incipits
2
provided with single incipit
6
untexted
5
varies
1
Type of Script
cursive
4
cursive (German)
2
cursive (humanistic)
1
hybrida
1
Level of Calligraphy
fair
3
high
1
poor
3
Colour of Text
black
4
brown
4
dark brown
2
reddish brown
1
Multiple Texts
no
4
yes
4
Decoration
Miniatures Frequency
never
6
Borders Frequency
never
5
Borders Size
Painted Initials Frequency
never
1
Painted Initials Type
Penned Initials Frequency
always
1
never
1
normally
2
occasionally
2
rarely
4
sometimes
1
Penned Initials Type
calligraphic
4
calligraphic with decoration
2
calligraphic with grotesque heads
1
decorated
1
flourished
1
littera notabilior
1
plain initials
3
Planned Initials Frequency
always
1
normally
3
often
1
rarely
2
Planned Initials Type
Other Decoration Frequency
never
1
rarely
2
sometimes
3
Other Decoration Type
decorative final long
1
end-symbol
2
littera notabilior
3
Filters applied
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Adhoc adaptation: partial additional staves
Material: paper
Miniatures frequency: never
Presence absence of text: fully texted with one text
Search results
2
Vatican, Biblioteca Apostolica Vaticana, MS Cappella Giulia XII 2 (olim C.48), c. 1518-89, All folios
Vatican, Biblioteca Apostolica Vaticana, MS Arch. Cap. S. Pietro B.80, 1474-5, All folios
1