PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Belgium
1
Great Britain
2
Switzerland
1
Cities
Basel
1
Brussels
1
England
1
Germany
1
London
1
Mechelen
1
Production method
Manuscript
4
Physical type
chansonnier
1
choirbook
2
choirbook (single quire(s))
1
Material
paper
2
parchment (with paper)
1
parchment and paper (mixed)
1
Format
upright
4
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
never
1
none visible
2
normally
2
Height of Staves
Colour of Staves
black
3
brown
1
Ruling Medium
freehand
2
single rastrum
2
straightedge
3
Number of staves
1
1
10
4
11
1
12
1
2
1
3
2
4
1
5
3
6
4
7
4
8
4
9
4
Disposition of Voice Parts
1-part single page
2
2-part opening
4
2-part single page
2
3-part consecutive
1
3-part opening
4
3-part score
1
3-part single page
3
4-part opening
4
5-part opening
3
5-part single page
1
6-part opening
1
Indentation for Initials
double
1
none
1
single
4
triple
1
Extra Space Between Voice Parts
empty ruled staves on grid
4
left below voice parts as part of grid
1
left between voice parts as part of grid
1
none
1
staves not ruled on grid
1
variable space, not on grid
1
Space Provided for Separate Text
no separate text
2
not in dedicated space
1
provided, in dedicated space
2
Adhoc Adaptation
made for complete additional staves
3
notation and staves extended into margin
4
notation extended into margin
2
partial additional staves
2
staveline added
1
staves extended into margin
1
Copying of Music
Colour of Notation
black
4
dark brown
1
red
1
Type of Notation
chant (square)
1
full mensural
1
strene notation
1
void mensural
4
Monophonic Notation
absent
3
present
1
Level of Calligraphy
high
3
poor
1
very poor
1
Non-verbal Performance Instructions
coronae
1
end symbol
1
none
1
pointers
1
repeat signs
1
signa congruentiae
3
signes-de-renvoi
2
Copying of Text
Language
English
2
French
2
Latin
4
Presence or Absence of Text
fully texted with one or two texts
2
fully texted with one text
4
fully texted with two or more texts
2
partially texted with one text
2
provided with multiple incipits
1
provided with one or two incipits
1
provided with single incipit
3
untexted
4
Type of Script
cursive (Anglicana)
2
cursive (German)
1
cursive (bastarda)
1
display script
1
Level of Calligraphy
fair
1
high
2
poor
1
very poor
1
Colour of Text
black
3
dark brown
1
red
2
Multiple Texts
no
1
yes
3
Decoration
Miniatures Frequency
never
4
Borders Frequency
never
4
Borders Size
Painted Initials Frequency
never
1
often
1
rarely
1
sometimes
1
Painted Initials Type
decorated
1
flourished
2
plain initials
2
Penned Initials Frequency
often
1
rarely
2
sometimes
1
Penned Initials Type
calligraphic
2
littera notabilior
1
plain initials
1
Planned Initials Frequency
occasionally
1
rarely
3
sometimes
1
Planned Initials Type
Other Decoration Frequency
never
2
rarely
2
Other Decoration Type
decorated letters
1
decorative final long
1
end-symbol
1
Filters applied
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Adhoc adaptation: notation and staves extended into margin
Copy language name: Latin
Disposition of voice part: 2-part opening
Disposition of voice part: 3-part single page
Ruling medium: single rastrum
Type of script: cursive (bastarda)
Search results
2
Barcelona, Spain, Biblioteca de Catalunya, M. 251 (olim 250), c. 1490, 137v-139r, 140v-143r
Zaragoza, Spain, Iglesia Metropolitana de la Virgen del Pilar, Archivo Musical, Armario C-3, MS 17, 16th century,
1