PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Belgium
11
Spain
2
Cities
Brussels
8
Mechelen
10
Segovia
1
Toledo
1
Zaragoza
1
Production method
Manuscript
15
Physical type
choirbook
15
Material
paper
3
parchment
11
parchment (with paper)
1
Format
upright
15
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
11
none visible
4
often
1
Height of Staves
Colour of Staves
black
14
brown
2
Ruling Medium
single rastrum
15
Number of staves
1
1
10
15
11
8
12
2
13
1
2
2
4
1
5
4
6
7
7
8
8
12
9
14
Disposition of Voice Parts
1-part single page
3
2-part opening
8
2-part single page
4
3-part opening
12
3-part single page
1
4-part opening
15
4-part single page
2
5-part opening
12
5-part single page
1
6-part opening
4
8-part opening
1
Indentation for Initials
double
14
none
1
quadruple
3
single
14
triple
11
Extra Space Between Voice Parts
empty ruled staves on grid
15
none
1
staves not ruled
2
staves not ruled on grid
11
variable space, not on grid
1
Space Provided for Separate Text
no separate text
14
not in dedicated space
1
Adhoc Adaptation
Indentation for initials filled in
1
made for complete additional staves
5
notation and staves extended into margin
15
notation extended into margin
5
partial additional staves
5
staveline added
1
staves extended into margin
1
Copying of Music
Colour of Notation
black
14
brown
1
red
3
Type of Notation
chant (square)
1
void mensural
15
Monophonic Notation
absent
12
present
4
Level of Calligraphy
fair
1
high
3
very high
11
Non-verbal Performance Instructions
coronae
2
custodes
1
end symbol
3
repeat signs
2
signa congruentiae
13
signes-de-renvoi
15
space-filler
1
Copying of Text
Language
Flemish
4
French
8
Latin
14
Spanish
1
Presence or Absence of Text
fully texted with one or two texts
1
fully texted with one text
15
fully texted with two or more texts
10
partially texted with one text
1
provided with single incipit
2
untexted
3
Type of Script
cursive
1
cursive (bastarda)
13
display script
12
humanistic
1
hybrida
1
Level of Calligraphy
fair
2
high
3
poor
1
very high
10
Colour of Text
black
14
blue
1
brown
1
red
13
Multiple Texts
no
4
yes
12
Decoration
Miniatures Frequency
never
3
rarely
12
Borders Frequency
never
4
occasionally
1
rarely
10
Borders Size
full and partial borders
1
full borders
2
partial borders: one- and two-sided
2
partial borders: one-sided
4
partial borders: three-sided
1
partial borders: two-sided
1
Painted Initials Frequency
never
3
rarely
10
Painted Initials Type
decorated
1
decorated with grotesque heads
1
Penned Initials Frequency
always
1
normally
11
occasionally
5
often
1
rarely
6
sometimes
1
Penned Initials Type
calligraphic
3
calligraphic with decoration
2
calligraphic with grotesque heads
2
decorated
1
flourished
1
plain initials
1
Planned Initials Frequency
never
11
normally
1
rarely
3
Planned Initials Type
Other Decoration Frequency
always
1
never
15
Other Decoration Type
banner
1
Filters applied
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Adhoc adaptation: notation and staves extended into margin
Other decoration frequency: never
Non verbal performance instructions: signes-de-renvoi
Search results
2
Eton, Great Britain, Eton College Library, MS 178, c. 1500-04, All folios
Toledo, Spain, Catedral, Obra y Fabrica, MS Reservado 23, c. 1520-1535, All folios
1