PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Great Britain
1
Italy
1
Spain
3
Cities
England
1
Naples
1
Rome
1
Seville
1
Tarazona
1
Vic
1
Production method
Manuscript
6
Physical type
choirbook
5
non-music manuscript with interpolated polyphony
1
Material
paper
5
parchment and paper (mixed)
1
Format
upright
6
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
1
never
2
none visible
2
normally
1
Height of Staves
Colour of Staves
black
1
brown
1
dark brown
3
light brown
1
Ruling Medium
double rastrum
1
freehand
1
single rastrum
4
straightedge
2
Number of staves
10
2
11
2
12
2
13
1
6
1
7
2
8
2
9
2
Disposition of Voice Parts
1-part single page
3
2-part opening
4
2-part single page
2
3-part consecutive
1
3-part opening
4
3-part score
1
3-part single page
2
4-part opening
6
4-part single page
4
5-part opening
5
5-part single page
1
6-part opening
3
Indentation for Initials
double
2
none
3
single
4
Extra Space Between Voice Parts
empty ruled staves on grid
6
left below voice parts as part of grid
1
none
1
Space Provided for Separate Text
no separate text
4
not in dedicated space
2
provided, in dedicated space
1
Adhoc Adaptation
Indentation for initials filled in
3
made for complete additional staves
4
notation and staves extended into margin
5
notation extended into margin
5
other
1
partial additional staves
4
staveline added
4
staves extended into margin
3
Copying of Music
Colour of Notation
black
5
dark brown
5
red
1
Type of Notation
chant (square)
4
full mensural
1
strene notation
1
void mensural
6
Monophonic Notation
absent
2
present
4
Level of Calligraphy
high
6
Non-verbal Performance Instructions
coronae
3
end symbol
5
pointers
2
repeat signs
3
signa congruentiae
4
signes-de-renvoi
5
Copying of Text
Language
English
1
French
1
Italian
1
Latin
6
Spanish
1
Presence or Absence of Text
fully texted and provided with incipit
1
fully texted with one or two texts
1
fully texted with one text
5
fully texted with two or more texts
1
partially texted with one text
1
provided with one or two incipits
1
provided with single incipit
2
untexted
4
Type of Script
cursive
1
cursive (Anglicana)
1
cursive (humanistic)
3
display script
1
humanistic
1
rotonda
1
textura
1
Level of Calligraphy
fair
3
high
4
poor
1
Colour of Text
black
3
brown
1
dark brown
6
red
2
Multiple Texts
no
5
yes
2
Decoration
Miniatures Frequency
never
2
Borders Frequency
never
2
Borders Size
Painted Initials Frequency
sometimes
1
Painted Initials Type
flourished
1
plain initials
1
Penned Initials Frequency
always
1
normally
3
often
1
rarely
2
Penned Initials Type
calligraphic
6
calligraphic with decoration
3
calligraphic with grotesque heads
3
flourished
1
plain initials
2
Planned Initials Frequency
normally
1
occasionally
2
rarely
3
Planned Initials Type
Other Decoration Frequency
normally
2
occasionally
1
rarely
2
sometimes
2
Other Decoration Type
decorated letters
1
decorative final long
3
end-symbol
2
littera notabilior
2
Filters applied
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Adhoc adaptation: notation and staves extended into margin
Adhoc adaptation: partial additional staves
Pricking frequency: normally
Search results
1
Cambridge, Great Britain, Gonville and Caius College, MS 667/760, Late 1520s, All folios
1