PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Italy
3
Spain
3
Cities
Catalonia
2
Florence
1
France
1
Girona
1
Italy
1
Italy (North)
1
Mantua
1
Naples
1
Rome
1
Segovia
1
Seville
1
Toledo
1
Production method
Manuscript
8
Physical type
choirbook
8
Material
paper
6
paper (with parchment)
1
parchment
1
Format
oblong
2
upright
6
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
1
never
2
none visible
4
normally
1
Height of Staves
Colour of Staves
brown
3
dark brown
3
light brown
1
reddish brown
1
Ruling Medium
double rastrum
1
single rastrum
6
triple rastrum
1
Number of staves
10
3
11
2
12
1
5
1
6
5
7
3
8
2
9
2
Disposition of Voice Parts
1-part single page
2
2-part opening
2
2-part single page
5
3-part opening
8
3-part single page
6
4-part opening
7
4-part single page
8
5-part opening
5
5-part single page
1
8-part opening
1
Indentation for Initials
none
3
single
6
Extra Space Between Voice Parts
empty ruled staves on grid
8
Space Provided for Separate Text
no separate text
2
not in dedicated space
7
provided, in dedicated space
1
Adhoc Adaptation
Indentation for initials filled in
2
made for complete additional staves
5
notation and staves extended into margin
8
notation extended into margin
7
other
1
partial additional staves
6
staveline added
4
staves extended into margin
1
Copying of Music
Colour of Notation
black
3
brown
6
dark brown
1
light brown
1
reddish brown
1
Type of Notation
chant (square)
2
full mensural
2
void mensural
7
Monophonic Notation
absent
4
present
4
Level of Calligraphy
fair
8
poor
1
Non-verbal Performance Instructions
coronae
2
end symbol
6
pointers
3
repeat signs
8
signa congruentiae
6
signes-de-renvoi
8
space-filler
2
Copying of Text
Language
Dutch
4
Flemish
1
French
6
German
1
Italian
3
Latin
7
Spanish
4
n/a
1
Presence or Absence of Text
fully texted and provided with incipit
1
fully texted with one or two texts
7
fully texted with one text
8
fully texted with two texts
2
partially texted with one or two texts
2
partially texted with one text
8
provided with one or two incipits
4
provided with single incipit
8
untexted
8
Type of Script
cursive
3
cursive (bastarda)
1
cursive (humanistic)
1
cursive (italic)
1
display script
1
hybrida
3
Level of Calligraphy
fair
7
high
1
poor
2
Colour of Text
black
3
brown
7
dark brown
2
light brown
1
red
1
reddish brown
1
yellow
1
Multiple Texts
no
2
yes
8
Decoration
Miniatures Frequency
never
3
rarely
1
Borders Frequency
never
3
rarely
1
Borders Size
partial borders: two-sided
1
Painted Initials Frequency
always
1
Painted Initials Type
decorated
1
Penned Initials Frequency
normally
2
occasionally
1
often
2
rarely
2
sometimes
1
Penned Initials Type
calligraphic
5
calligraphic with decoration
5
calligraphic with grotesque heads
3
decorated
1
flourished
1
plain initials
3
Planned Initials Frequency
normally
2
often
2
rarely
3
sometimes
1
Planned Initials Type
Guide letters only
1
Other Decoration Frequency
never
1
normally
1
often
1
rarely
2
sometimes
1
Other Decoration Type
decorative final long
3
end-symbol
3
littera notabilior
2
Filters applied
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Disposition of voice part: 4-part single page
Level of calligraphy music: fair
Non verbal performance instructions: repeat signs
Presence absence of text: fully texted with one text
Presence absence of text: partially texted with one text
Search results
2
Florence, Italy, Biblioteca Nazionale Centrale, MS Panciatichi 27, Early 16th century, All folios
Seville, Spain, Biblioteca Capitular y Colombina, MS 5-1-43 (olim Z Tab. 135, N.° 33), c. 1470-85, All folios
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