PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Austria
9
Belgium
23
Czech Republic
1
France
5
Germany
22
Great Britain
7
Italy
13
Italy (North)
1
Portugal
1
Spain
5
Cities
Antwerp
1
Arundel
2
Augsburg
5
Austria
1
Bourges
1
Bruges
1
Brussels
15
Cambrai
1
Casale Monferrato
1
Catalonia
2
Cognac
1
Coimbra
1
England
2
Eton
1
Ferrara
1
Florence
4
France
7
Germany (South)
6
Girona
1
Glarus, Switzerland
1
Halberstadt
1
Innsbruck
1
Italy
2
Leipzig
1
London
2
Mechelen
20
Milan
2
Munich
13
Munich, Germany
1
Naples
1
Netherlands
1
Padua
1
Paris
2
Portugal
1
Prague
1
Rome
2
Savoy, France
1
Segovia
1
Seville
1
Siena
2
Spain
1
Staffarda
1
Stirling
1
Tarazona
1
Toledo
1
Torgau
1
Turin
1
Vienna
8
Windsor
1
Wittenberg
2
Zaragoza
1
Production method
Manuscript
96
Physical type
choirbook
96
Material
paper
51
paper (with parchment)
5
parchment
36
parchment (with paper)
2
parchment and paper (mixed)
2
Format
oblong
6
upright
90
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
27
never
9
none visible
34
normally
10
occasionally
3
often
5
rarely
2
sometimes
10
Height of Staves
Colour of Staves
black
59
brown
31
dark brown
6
gold
1
light brown
4
red
4
reddish brown
2
Ruling Medium
double and single rastra
1
double rastrum
4
freehand
1
single rastrum
85
straightedge
9
Number of staves
1
3
10
50
11
30
12
17
13
7
14
4
15
3
16
2
17
2
2
17
3
18
4
25
5
36
6
45
7
44
8
59
9
50
Disposition of Voice Parts
1-part single page
16
10-part opening
1
12-part opening
1
19-part opening
1
2-part consecutive
2
2-part opening
38
2-part score
1
2-part single page
15
3-part consecutive
5
3-part opening
67
3-part score
3
3-part single page
14
4-part consecutive
2
4-part opening
84
4-part score
1
4-part single page
18
5-part consecutive
5
5-part opening
54
5-part single page
5
6-part consecutive
1
6-part opening
23
7-part consecutive
1
7-part opening
1
8-part consecutive
1
8-part opening
5
9-part consecutive
1
9-part opening
1
n/a
3
Indentation for Initials
all staves indented
1
double
46
none
23
quadruple
4
quintuple
1
single
96
triple
21
varies
1
Extra Space Between Voice Parts
empty ruled staves on grid
70
left below voice parts as part of grid
2
left between voice parts as part of grid
2
none
7
staves not ruled
2
staves not ruled on grid
34
variable space, not on grid
27
Space Provided for Separate Text
no separate text
65
not in dedicated space
24
provided, in dedicated space
17
Adhoc Adaptation
Indentation for initials filled in
8
made for complete additional staves
31
none
1
notation and staves extended into margin
57
notation extended into margin
31
other
4
partial additional staves
38
staveline added
18
staves extended into margin
8
Copying of Music
Colour of Notation
black
73
blue
1
brown
28
dark brown
5
gold
2
light brown
2
red
9
reddish brown
1
Type of Notation
chant (Gothic)
1
chant (square)
7
full mensural
9
strene notation
1
void mensural
92
Monophonic Notation
absent
75
present
25
Level of Calligraphy
fair
32
high
45
poor
6
very high
22
Non-verbal Performance Instructions
coronae
8
custodes
1
end symbol
17
none
1
numbers to indicate note lengths
1
pointers
7
repeat signs
23
signa congruentiae
41
signes-de-renvoi
55
space-filler
6
Copying of Text
Language
Czech
1
Dutch
6
English
2
Flemish
5
French
30
German
6
Italian
8
Latin
85
Spanish
5
n/a
1
Presence or Absence of Text
fully texted with one or two texts
14
fully texted with one text
96
fully texted with two or more texts
18
fully texted with two texts
10
partially texted with one or two texts
6
partially texted with one text
19
partially texted with two texts
1
provided with multiple incipits
3
provided with one or two incipits
8
provided with single incipit
29
provided with two incipits
4
untexted
29
varies
1
Type of Script
cursive
12
cursive (Anglicana)
5
cursive (German)
4
cursive (bastarda)
39
cursive (humanistic)
6
cursive (italic)
2
display script
39
humanistic
1
hybrida
5
textura
28
various
1
Level of Calligraphy
fair
30
high
48
poor
8
very high
22
Colour of Text
black
70
blue
4
brown
31
dark brown
5
dark red
1
green
1
light brown
2
red
54
reddish brown
1
yellow
1
Multiple Texts
no
52
yes
52
Decoration
Miniatures Frequency
always
1
never
8
none visible
1
often
1
rarely
29
Borders Frequency
always
2
never
9
occasionally
4
often
1
rarely
26
Borders Size
full and partial borders
2
full borders
9
partial borders: one- and two-sided
5
partial borders: one-sided
9
partial borders: three-sided
2
partial borders: two- and three-sided
1
partial borders: two-sided
7
Painted Initials Frequency
always
5
never
6
normally
6
occasionally
4
often
5
rarely
25
sometimes
4
Painted Initials Type
calligraphic with decoration
3
decorated
21
decorated with grotesque heads
9
flourished
6
historiated
5
plain initials
3
trompe l'oeil
1
zoomorphic initial
7
Penned Initials Frequency
always
6
never
2
normally
35
occasionally
17
often
9
rarely
23
sometimes
14
Penned Initials Type
calligraphic
51
calligraphic with decoration
18
calligraphic with grotesque heads
17
decorated
6
decorated with grotesque heads
6
flourished
20
plain initials
16
zoomorphic initial
1
Planned Initials Frequency
always
2
never
11
normally
9
occasionally
6
often
13
rarely
20
sometimes
7
Planned Initials Type
Guide letters only
1
Other Decoration Frequency
always
3
never
16
normally
7
occasionally
10
often
7
rarely
8
sometimes
7
Other Decoration Type
Voice-names
3
banner
5
decorative final long
18
end-symbol
5
littera notabilior
10
Filters applied
Clear all filters
Copy language name: Latin
Locations name: Munich
Locations part of: Germany
Number of staves: 6
Presence absence of text: fully texted with two texts
Search results
2
Florence, Italy, Biblioteca Riccardiana, MS 2794, 1480-1488, All folios
London, Great Britain, British Library, MS Royal 20 A. xvi, c. 1480-90, All folios
1