PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Italy
1
Spain
1
Cities
Bologna
1
Ferrara
1
France
2
Segovia
1
Toledo
1
Production method
Manuscript
5
Physical type
choirbook
3
composite manuscript with interpolated polyphony
1
music treatise(s) containing polyphony
1
Material
paper
2
parchment
2
parchment and paper (mixed)
1
Format
upright
5
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
never
1
none visible
5
Height of Staves
Colour of Staves
black
1
brown
3
light brown
1
red
1
Ruling Medium
single rastrum
5
Number of staves
10
2
11
1
5
1
6
1
7
2
8
5
9
3
Disposition of Voice Parts
1-part single page
1
2-part consecutive
1
2-part opening
4
2-part single page
3
3-part opening
5
3-part single page
3
4-part consecutive
1
4-part opening
4
4-part single page
3
5-part opening
2
8-part opening
1
Indentation for Initials
none
3
single
5
Extra Space Between Voice Parts
empty ruled staves on grid
5
none
1
Space Provided for Separate Text
no separate text
2
not in dedicated space
5
provided, in dedicated space
2
Adhoc Adaptation
Indentation for initials filled in
1
made for complete additional staves
4
none
1
notation and staves extended into margin
3
notation extended into margin
1
partial additional staves
2
staveline added
1
staves extended into margin
1
Copying of Music
Colour of Notation
black
2
brown
2
light brown
2
Type of Notation
void mensural
5
Monophonic Notation
absent
4
present
3
Level of Calligraphy
fair
5
high
1
poor
1
Non-verbal Performance Instructions
end symbol
1
pointers
2
repeat signs
3
signa congruentiae
3
signes-de-renvoi
3
space-filler
1
Copying of Text
Language
Dutch
1
Flemish
1
French
5
Italian
1
Latin
3
Spanish
2
n/a
1
Presence or Absence of Text
fully texted with one or two texts
4
fully texted with one text
5
fully texted with two texts
2
partially texted with one or two texts
1
partially texted with one text
4
provided with single incipit
5
provided with two incipits
1
untexted
5
Type of Script
cursive
3
cursive (bastarda)
2
hybrida
1
textura
1
Level of Calligraphy
fair
5
high
1
poor
2
Colour of Text
black
2
brown
2
light brown
2
Multiple Texts
no
4
yes
4
Decoration
Miniatures Frequency
never
1
rarely
1
Borders Frequency
always
1
never
1
rarely
1
Borders Size
partial borders: one- and two-sided
1
partial borders: two-sided
1
Painted Initials Frequency
always
2
Painted Initials Type
decorated
2
Penned Initials Frequency
normally
1
rarely
1
sometimes
2
Penned Initials Type
calligraphic
2
calligraphic with decoration
1
flourished
1
plain initials
1
Planned Initials Frequency
normally
2
occasionally
1
often
1
rarely
1
Planned Initials Type
Other Decoration Frequency
never
1
Other Decoration Type
Filters applied
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Adhoc adaptation: notation extended into margin
Indentation for initials: single
Other decoration frequency: rarely
Planned initials frequency: normally
Separate text: not in dedicated space
Search results
1
Florence, Italy, Biblioteca Nazionale Centrale, MS II.I.232 (olim Magliabechi XIX.58), c. 1515-1521, All folios
1