PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Great Britain
3
Italy
3
Spain
1
Cities
Arundel
2
England
1
London
1
Mantua
1
Naples
1
Portugal
1
Rome
2
Vic
1
Production method
Manuscript
8
Physical type
choirbook
7
non-music manuscript with interpolated polyphony
1
Material
paper
3
parchment
4
parchment (with paper)
1
Format
oblong
1
upright
7
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
never
2
none visible
5
normally
1
Height of Staves
Colour of Staves
black
3
brown
3
light brown
1
red
1
Ruling Medium
double rastrum
1
single rastrum
3
straightedge
5
Number of staves
10
5
11
4
12
4
13
3
14
3
15
2
16
1
17
1
5
4
6
2
7
4
8
3
9
3
Disposition of Voice Parts
1-part single page
2
2-part opening
4
2-part single page
1
3-part opening
3
3-part single page
1
4-part opening
4
4-part single page
2
5-part consecutive
2
5-part opening
5
6-part opening
3
Indentation for Initials
double
3
none
3
single
5
Extra Space Between Voice Parts
empty ruled staves on grid
6
none
1
variable space, not on grid
3
Space Provided for Separate Text
no separate text
6
not in dedicated space
1
provided, in dedicated space
1
Adhoc Adaptation
Indentation for initials filled in
2
made for complete additional staves
1
notation and staves extended into margin
1
notation extended into margin
1
partial additional staves
3
staveline added
1
staves extended into margin
1
Copying of Music
Colour of Notation
black
8
dark brown
1
red
2
Type of Notation
full mensural
4
void mensural
5
Monophonic Notation
absent
7
present
1
Level of Calligraphy
high
8
Non-verbal Performance Instructions
coronae
1
end symbol
1
pointers
1
repeat signs
1
signa congruentiae
4
signes-de-renvoi
2
Copying of Text
Language
French
1
Italian
1
Latin
8
Spanish
1
Presence or Absence of Text
fully texted and provided with incipit
1
fully texted with one or two texts
1
fully texted with one text
6
provided with single incipit
3
untexted
2
Type of Script
antiqua
1
cursive (Anglicana)
2
cursive (bastarda)
1
cursive (humanistic)
3
display script
1
textura
3
Level of Calligraphy
fair
2
high
6
poor
1
very high
1
Colour of Text
black
7
blue
1
brown
1
dark brown
2
red
2
Multiple Texts
no
7
yes
2
Decoration
Miniatures Frequency
never
1
rarely
2
Borders Frequency
never
1
occasionally
2
rarely
1
Borders Size
partial borders: one- and two-sided
1
partial borders: one-sided
1
partial borders: two-sided
1
Painted Initials Frequency
always
2
normally
2
rarely
1
Painted Initials Type
decorated
4
historiated
1
plain initials
1
zoomorphic initial
1
Penned Initials Frequency
always
1
normally
3
rarely
1
sometimes
1
Penned Initials Type
calligraphic
4
calligraphic with decoration
2
calligraphic with grotesque heads
3
flourished
3
littera notabilior
1
plain initials
1
Planned Initials Frequency
normally
1
occasionally
1
rarely
1
Planned Initials Type
Other Decoration Frequency
normally
2
rarely
1
sometimes
8
Other Decoration Type
decorated letters
2
decorative final long
5
end-symbol
1
littera notabilior
2
ornament
1
Filters applied
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Level of calligraphy music: high
Other decoration frequency: sometimes
Colour of notation: black
Search results
2
Florence, Italy, Biblioteca Nazionale Centrale, MS Banco Rari 229 (olim Magliabechi XIX.59), 1492-1493, All folios
Seville, Spain, Biblioteca Capitular y Colombina, MS 5-1-43 (olim Z Tab. 135, N.° 33), c. 1470-85, All folios
1