PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
France
1
Great Britain
1
Italy
2
Spain
3
Cities
Barcelona
1
Bourges
1
Eton
1
Ferrara
1
Florence
2
Tarazona
1
Vic
1
Production method
Manuscript
9
Physical type
choirbook
8
monophonic manuscript with interpolated polyphony
1
Material
paper
5
paper (with parchment)
1
parchment
2
parchment and paper (mixed)
1
Format
upright
9
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
2
none visible
5
normally
2
rarely
2
Height of Staves
Colour of Staves
black
4
brown
3
dark brown
2
gold
1
red
1
Ruling Medium
double rastrum
2
freehand
1
quadruple rastrum
1
single rastrum
6
straightedge
2
triple rastrum
1
Number of staves
1
1
10
3
11
2
12
3
13
2
14
1
15
1
16
1
17
1
6
3
7
2
8
2
9
2
Disposition of Voice Parts
1-part single page
2
2-part opening
5
2-part single page
2
3-part opening
6
3-part single page
1
4-part consecutive
1
4-part opening
7
4-part single page
5
5-part consecutive
1
5-part opening
5
6-part consecutive
1
6-part opening
3
7-part consecutive
1
8-part consecutive
1
8-part opening
1
9-part consecutive
1
9-part opening
1
Indentation for Initials
all staves indented
1
double
2
none
6
quintuple
1
single
6
Extra Space Between Voice Parts
empty ruled staves on grid
8
none
2
staves not ruled on grid
1
Space Provided for Separate Text
no separate text
5
not in dedicated space
6
provided, in dedicated space
1
Adhoc Adaptation
Indentation for initials filled in
4
made for complete additional staves
5
notation and staves extended into margin
8
notation extended into margin
9
partial additional staves
4
staveline added
9
staves extended into margin
1
Copying of Music
Colour of Notation
black
4
brown
2
dark brown
6
gold
1
red
1
Type of Notation
chant (square)
3
full mensural
2
void mensural
8
Monophonic Notation
absent
5
present
4
Level of Calligraphy
fair
1
high
7
very high
2
Non-verbal Performance Instructions
coronae
2
end symbol
4
repeat signs
5
signa congruentiae
5
signes-de-renvoi
6
Copying of Text
Language
Dutch
2
French
3
Italian
2
Latin
9
Presence or Absence of Text
fully texted and provided with incipit
1
fully texted with one or two texts
2
fully texted with one text
9
fully texted with two or more texts
1
fully texted with two texts
2
partially texted with one text
2
provided with multiple incipits
2
provided with one or two incipits
1
provided with single incipit
6
untexted
3
Type of Script
cursive
2
cursive (bastarda)
2
cursive (humanistic)
2
display script
1
hybrida
1
roman
1
textura
3
Level of Calligraphy
high
9
very high
1
Colour of Text
black
4
brown
3
dark brown
5
gold
1
red
3
Multiple Texts
no
7
yes
5
Decoration
Miniatures Frequency
never
2
rarely
2
Borders Frequency
never
2
rarely
2
Borders Size
full borders
2
partial borders: two-sided
1
Painted Initials Frequency
normally
1
often
1
sometimes
1
Painted Initials Type
decorated
3
decorated with grotesque heads
1
historiated
1
zoomorphic initial
1
Penned Initials Frequency
always
2
normally
3
occasionally
2
often
1
rarely
2
sometimes
1
Penned Initials Type
calligraphic
6
calligraphic with decoration
4
calligraphic with grotesque heads
4
decorated
1
decorated with grotesque heads
1
flourished
2
plain initials
3
Planned Initials Frequency
normally
2
occasionally
1
rarely
6
sometimes
1
Planned Initials Type
Other Decoration Frequency
never
1
normally
1
occasionally
3
often
1
rarely
1
sometimes
1
Other Decoration Type
banner
1
decorative final long
3
littera notabilior
3
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Level of calligraphy text: high
Adhoc adaptation: notation extended into margin
Adhoc adaptation: staveline added
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1
Seville, Spain, Biblioteca Capitular y Colombina, MS 5-1-43 (olim Z Tab. 135, N.° 33), c. 1470-85, All folios
1