PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Belgium
4
Great Britain
1
Italy
2
Cities
Brussels
3
Florence
2
London
1
Mechelen
4
Production method
Manuscript
7
Physical type
chansonnier
1
choirbook
5
partbook (single)
1
Material
parchment
6
parchment (with paper)
1
Format
oblong
1
upright
6
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
3
none visible
2
normally
1
often
1
Height of Staves
Colour of Staves
black
5
brown
3
Ruling Medium
double rastrum
1
single rastrum
5
straightedge
1
Number of staves
1
1
10
5
11
2
12
2
13
1
2
2
3
1
4
2
5
2
6
3
7
4
8
4
9
5
Disposition of Voice Parts
1-part single page
3
2-part opening
3
2-part single page
2
3-part opening
5
3-part single page
1
4-part opening
6
4-part single page
2
5-part opening
5
6-part opening
2
Indentation for Initials
double
4
none
1
quadruple
1
single
7
triple
4
Extra Space Between Voice Parts
empty ruled staves on grid
7
left between voice parts as part of grid
1
staves not ruled on grid
4
Space Provided for Separate Text
no separate text
5
not in dedicated space
1
provided, in dedicated space
1
Adhoc Adaptation
made for complete additional staves
1
notation and staves extended into margin
7
notation extended into margin
1
partial additional staves
3
staveline added
1
Copying of Music
Colour of Notation
black
6
brown
2
red
2
Type of Notation
void mensural
7
Monophonic Notation
absent
6
present
1
Level of Calligraphy
high
4
very high
3
Non-verbal Performance Instructions
repeat signs
2
signa congruentiae
5
signes-de-renvoi
5
Copying of Text
Language
Dutch
1
English
1
Flemish
3
French
7
Italian
1
Latin
7
Spanish
1
Presence or Absence of Text
fully texted with one or two texts
3
fully texted with one text
7
fully texted with two or more texts
4
partially texted with one or two texts
1
partially texted with one text
3
partially texted with two texts
1
provided with one or two incipits
1
provided with single incipit
2
provided with two incipits
2
untexted
3
Type of Script
cursive (Anglicana)
1
cursive (bastarda)
5
cursive (humanistic)
1
display script
3
hybrida
1
Level of Calligraphy
high
4
very high
3
Colour of Text
black
6
brown
1
red
4
Multiple Texts
no
1
yes
7
Decoration
Miniatures Frequency
never
1
rarely
5
Borders Frequency
never
2
occasionally
1
rarely
3
Borders Size
full and partial borders
1
partial borders: one-sided
2
partial borders: three-sided
1
partial borders: two-sided
1
Painted Initials Frequency
normally
2
often
1
rarely
7
Painted Initials Type
decorated
3
flourished
1
historiated
1
plain initials
1
zoomorphic initial
1
Penned Initials Frequency
normally
3
occasionally
3
rarely
2
Penned Initials Type
calligraphic
1
calligraphic with grotesque heads
1
Planned Initials Frequency
never
4
rarely
2
Planned Initials Type
Other Decoration Frequency
never
5
Other Decoration Type
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Disposition of voice part: 7-part opening
Miniatures frequency: rarely
Monophonic notation: absent
Multiple texts: yes
Number of staves: 10
Presence absence of text: fully texted with two or more texts
Search results
1
Contrapunctus seu figurata musica super plano cantu missarum solennium totius anni, Lyons, France, 1528, , August 1528, 90
1