PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Belgium
1
Germany
3
Great Britain
1
Netherlands
1
Spain
3
Switzerland
2
Cities
Basel
2
Brussels
1
Catalonia
1
Emmerich
1
Germany
2
Germany (South)
1
Girona
1
Halberstadt
1
Italy
1
Köln
1
Leipzig
1
London
1
Mechelen
1
Torgau
1
Utrecht
1
Vic
1
Wittenberg
1
Zaragoza
1
Production method
Manuscript
12
Printed work
2
Physical type
chansonnier
1
choirbook
6
choirbook (fragment)
1
choirbook (single quire(s))
2
partbooks (complete set)
2
poetry collection with some notated music
2
Material
paper
11
paper (with parchment)
1
parchment
1
parchment (with paper)
1
Format
oblong
2
upright
12
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
5
n/a
2
never
5
none visible
4
normally
1
Height of Staves
Colour of Staves
black
12
brown
5
Ruling Medium
double rastrum
2
freehand
3
single rastrum
7
straightedge
5
Number of staves
1
1
10
9
11
2
12
5
13
1
2
2
3
5
4
4
5
6
6
7
7
5
8
4
9
4
Disposition of Voice Parts
1-part single page
5
2-part consecutive
2
2-part opening
3
2-part single page
4
3-part consecutive
2
3-part opening
7
3-part single page
4
4-part opening
10
4-part single page
4
5-part opening
6
5-part single page
1
6-part opening
1
n/a
1
Indentation for Initials
double
5
none
7
single
11
triple
1
varies
1
Extra Space Between Voice Parts
empty ruled staves on grid
7
left below voice parts as part of grid
2
left between voice parts as part of grid
3
none
4
staves not ruled on grid
2
variable space, not on grid
2
Space Provided for Separate Text
no separate text
11
provided, in dedicated space
4
Adhoc Adaptation
Indentation for initials filled in
1
made for complete additional staves
4
none
1
notation and staves extended into margin
8
notation extended into margin
4
other
1
partial additional staves
5
staveline added
2
staves extended into margin
1
Copying of Music
Colour of Notation
black
13
brown
3
dark brown
1
reddish brown
1
Type of Notation
German hufnagel
2
chant (square)
1
full mensural
1
void mensural
13
Monophonic Notation
absent
14
present
3
Level of Calligraphy
fair
5
high
5
n/a
2
poor
5
very poor
1
Non-verbal Performance Instructions
coronae
4
end symbol
3
none
2
pointers
1
repeat signs
3
signa congruentiae
7
signes-de-renvoi
5
Copying of Text
Language
English
1
French
3
German
3
Latin
14
Presence or Absence of Text
fully texted and provided with incipit
1
fully texted with one or two texts
1
fully texted with one text
14
fully texted with two or more texts
1
partially texted with one text
5
provided with multiple incipits
1
provided with one or two incipits
5
provided with single incipit
6
untexted
8
varies
1
Type of Script
cursive
2
cursive (Anglicana)
1
cursive (German)
5
cursive (bastarda)
1
cursive (humanistic)
1
display script
1
humanistic
1
rotonda
2
textura
2
Level of Calligraphy
fair
6
high
4
n/a
2
poor
3
very poor
1
Colour of Text
black
12
brown
4
dark brown
1
red
2
reddish brown
1
Multiple Texts
no
11
yes
4
Decoration
Miniatures Frequency
never
14
rarely
1
Borders Frequency
never
11
Borders Size
Painted Initials Frequency
always
1
never
5
normally
1
often
1
rarely
2
Painted Initials Type
decorated
1
flourished
1
plain initials
3
Penned Initials Frequency
always
2
never
2
normally
2
occasionally
1
often
1
rarely
4
sometimes
2
Penned Initials Type
calligraphic
6
calligraphic with decoration
1
decorated
1
littera notabilior
1
plain initials
1
Planned Initials Frequency
always
1
never
1
normally
3
occasionally
2
often
1
rarely
4
sometimes
2
Planned Initials Type
Other Decoration Frequency
always
1
never
4
rarely
3
sometimes
4
Other Decoration Type
banner
1
decorated letters
1
decorative final long
1
end-symbol
1
littera notabilior
4
Filters applied
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Miniatures frequency: never
Copy language name: Latin
Monophonic notation: absent
Search results
2
Eton, Great Britain, Eton College Library, MS 178, c. 1500-04, All folios
Segovia, Spain, Archivo Capitular de la Catedral, MS s.s., c. 1498-1515, All folios
1