PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Italy
3
Cities
Venice
3
Production method
Printed work
7
Physical type
choirbook
1
partbooks (complete set)
5
Material
paper
7
Format
oblong
7
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
n/a
7
Height of Staves
Colour of Staves
black
5
Ruling Medium
Number of staves
4
1
5
2
6
7
Disposition of Voice Parts
1-part single page
5
3-part opening
1
3-part single page
1
4-part opening
1
4-part single page
1
5-part opening
1
Indentation for Initials
double
5
none
1
single
6
Extra Space Between Voice Parts
empty ruled staves on grid
1
Space Provided for Separate Text
no separate text
7
Adhoc Adaptation
Copying of Music
Colour of Notation
black
7
Type of Notation
void mensural
7
Monophonic Notation
absent
7
Level of Calligraphy
n/a
7
Non-verbal Performance Instructions
coronae
6
signa congruentiae
7
Copying of Text
Language
French
1
Latin
7
Presence or Absence of Text
fully texted with one text
7
partially texted with one text
5
provided with one or two incipits
7
Type of Script
rotonda
7
Level of Calligraphy
n/a
7
Colour of Text
black
7
Multiple Texts
no
7
Decoration
Miniatures Frequency
never
2
Borders Frequency
never
2
Borders Size
Painted Initials Frequency
Painted Initials Type
Penned Initials Frequency
Penned Initials Type
Planned Initials Frequency
Planned Initials Type
Other Decoration Frequency
never
1
Other Decoration Type
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Presence absence of text: provided with one or two incipits
Multiple texts: no
Level of calligraphy music: n/a
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1
Cambridge, Great Britain, Gonville and Caius College, MS 667/760, Late 1520s, All folios
1