PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Czech Republic
1
Italy
4
Spain
1
Cities
Florence
4
France
1
Hradec Králové
1
Segovia
1
Toledo
1
Production method
Manuscript
7
Physical type
choirbook
4
partbook (single)
2
tablebook
1
Material
paper
5
parchment
2
Format
bound upright but prepared oblong
1
oblong
2
upright
4
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
none visible
5
sometimes
2
Height of Staves
Colour of Staves
brown
6
dark brown
1
light brown
1
Ruling Medium
double rastrum
2
freehand
1
quadruple rastrum
1
single rastrum
4
triple rastrum
4
Number of staves
10
2
11
1
2
1
3
2
4
2
6
3
7
3
8
2
9
2
Disposition of Voice Parts
1-part single page
3
2-part opening
2
2-part single page
2
3-part opening
5
3-part single page
2
4-part opening
5
4-part single page
3
5-part opening
2
8-part opening
1
Indentation for Initials
double
1
none
2
single
5
varies
1
Extra Space Between Voice Parts
empty ruled staves on grid
5
left between voice parts as part of grid
2
Space Provided for Separate Text
no separate text
2
not in dedicated space
3
provided, in dedicated space
3
Adhoc Adaptation
Indentation for initials filled in
1
made for complete additional staves
3
notation and staves extended into margin
6
notation extended into margin
7
partial additional staves
5
staveline added
4
staves extended into margin
2
Copying of Music
Colour of Notation
black
2
brown
6
red
1
Type of Notation
chant (Central European)
1
full mensural
1
void mensural
6
Monophonic Notation
absent
5
present
2
Level of Calligraphy
fair
7
Non-verbal Performance Instructions
coronae
1
end symbol
2
pointers
1
repeat signs
6
signa congruentiae
5
signes-de-renvoi
5
space-filler
1
Copying of Text
Language
Czech
1
Dutch
1
Flemish
1
French
4
Italian
4
Latin
4
Spanish
3
Presence or Absence of Text
fully texted with one or two texts
7
fully texted with one text
3
partially texted with one or two texts
3
partially texted with one text
6
partially texted with two texts
1
provided with one or two incipits
2
provided with single incipit
6
provided with two incipits
1
untexted
6
Type of Script
cursive
2
cursive (bastarda)
1
cursive (humanistic)
1
cursive (italic)
3
display script
1
hybrida
1
Level of Calligraphy
fair
6
high
1
poor
2
Colour of Text
black
2
blue
1
brown
6
red
2
Multiple Texts
no
2
yes
6
Decoration
Miniatures Frequency
never
1
Borders Frequency
never
1
rarely
1
Borders Size
partial borders: one- and two-sided
1
Painted Initials Frequency
rarely
1
Painted Initials Type
decorated
1
historiated
1
Penned Initials Frequency
normally
1
rarely
3
sometimes
1
Penned Initials Type
calligraphic
3
calligraphic with decoration
1
flourished
1
littera notabilior
1
plain initials
1
Planned Initials Frequency
normally
7
Planned Initials Type
Guide letters only
1
Other Decoration Frequency
never
1
often
1
rarely
2
Other Decoration Type
decorated letters
1
decorative final long
1
littera notabilior
2
Filters applied
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Presence absence of text: fully texted with one or two texts
Adhoc adaptation: notation extended into margin
Planned initials frequency: normally
Search results
2
Florence, Italy, Biblioteca Nazionale Centrale, MS Panciatichi 27, Early 16th century, All folios
Paris, France, Bibliothèque Nationale, fonds du conservatoire MS Rés. Vm7 676, 1502, All folios
1