PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Germany
2
Italy
2
Spain
2
Switzerland
5
Cities
Augsburg
1
Basel
5
Bologna
1
Florence
1
France
1
Germany
2
Halberstadt
1
Italy
1
Leipzig
1
Segovia
1
Seville
1
Spain
1
Toledo
1
Torgau
1
Production method
Manuscript
13
Physical type
choirbook
8
choirbook (single quire(s))
3
partbook (single)
1
partbooks (complete set)
1
Material
paper
12
parchment
1
Format
oblong
4
upright
9
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
never
6
none visible
8
normally
1
Height of Staves
Colour of Staves
black
6
brown
6
dark brown
1
light brown
1
red
1
reddish brown
1
Ruling Medium
double rastrum
1
freehand
3
single rastrum
10
straightedge
3
Number of staves
10
5
11
3
12
5
13
1
3
3
4
1
5
2
6
5
7
3
8
5
9
4
Disposition of Voice Parts
1-part single page
5
2-part opening
4
2-part single page
3
3-part consecutive
1
3-part opening
9
3-part single page
5
4-part opening
11
4-part single page
5
5-part opening
4
8-part opening
1
n/a
1
Indentation for Initials
double
1
none
8
single
9
varies
1
Extra Space Between Voice Parts
empty ruled staves on grid
8
left below voice parts as part of grid
4
left between voice parts as part of grid
4
none
4
variable space, not on grid
1
Space Provided for Separate Text
no separate text
8
not in dedicated space
5
provided, in dedicated space
2
Adhoc Adaptation
Indentation for initials filled in
2
made for complete additional staves
7
none
2
notation and staves extended into margin
7
notation extended into margin
5
other
2
partial additional staves
8
staveline added
4
Copying of Music
Colour of Notation
black
8
blue
1
brown
6
dark brown
1
gold
1
light brown
1
Type of Notation
chant (square)
1
void mensural
13
Monophonic Notation
absent
11
present
3
Level of Calligraphy
fair
7
high
2
poor
8
very poor
1
Non-verbal Performance Instructions
end symbol
3
none
3
pointers
1
repeat signs
6
signa congruentiae
3
signes-de-renvoi
8
space-filler
2
Copying of Text
Language
Dutch
2
Flemish
2
French
9
German
4
Italian
3
Latin
10
Spanish
4
Presence or Absence of Text
fully texted with one or two texts
3
fully texted with one text
13
fully texted with two texts
1
partially texted with one or two texts
1
partially texted with one text
10
provided with multiple incipits
1
provided with one or two incipits
3
provided with single incipit
13
provided with two incipits
1
untexted
11
varies
1
Type of Script
cursive
5
cursive (German)
6
cursive (bastarda)
1
cursive (humanistic)
2
cursive (italic)
2
hybrida
2
Level of Calligraphy
fair
4
high
1
poor
13
very poor
1
Colour of Text
black
8
brown
8
light brown
1
reddish brown
1
Multiple Texts
no
11
yes
5
Decoration
Miniatures Frequency
never
4
rarely
2
Borders Frequency
always
1
never
4
Borders Size
partial borders: one- and two-sided
1
Painted Initials Frequency
always
1
never
1
Painted Initials Type
decorated
1
Penned Initials Frequency
always
1
never
1
normally
2
occasionally
2
often
3
rarely
4
sometimes
2
Penned Initials Type
calligraphic
6
calligraphic with decoration
3
decorated
1
flourished
2
littera notabilior
3
plain initials
2
Planned Initials Frequency
always
2
normally
3
occasionally
1
often
2
rarely
1
sometimes
3
Planned Initials Type
Other Decoration Frequency
never
1
occasionally
1
rarely
1
sometimes
1
Other Decoration Type
decorated letters
1
decorative final long
1
Filters applied
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Level of calligraphy text: poor
Presence absence of text: provided with single incipit
Presence absence of text: fully texted with one text
Search results
1
Contrapunctus seu figurata musica super plano cantu missarum solennium totius anni, Lyons, France, 1528, , August 1528, 90
1