PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Belgium
2
France
1
Italy
3
Spain
2
Cities
Brussels
1
Catalonia
1
Cognac
1
Ferrara
1
Florence
1
Girona
1
Italy
1
Mechelen
2
Siena
2
Zaragoza
1
Production method
Manuscript
10
Physical type
choirbook
10
Material
paper
6
parchment
4
Format
upright
10
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
10
none visible
1
Height of Staves
Colour of Staves
black
4
brown
4
dark brown
1
light brown
1
Ruling Medium
double and single rastra
1
double rastrum
1
single rastrum
8
Number of staves
10
7
11
2
12
2
13
1
2
1
5
1
6
2
7
3
8
4
9
4
Disposition of Voice Parts
1-part single page
1
2-part opening
4
2-part single page
1
3-part opening
6
3-part single page
2
4-part opening
9
4-part single page
3
5-part opening
5
5-part single page
1
6-part opening
2
Indentation for Initials
double
5
none
2
single
10
triple
2
Extra Space Between Voice Parts
empty ruled staves on grid
10
none
1
staves not ruled on grid
3
variable space, not on grid
1
Space Provided for Separate Text
no separate text
8
not in dedicated space
3
Adhoc Adaptation
Indentation for initials filled in
1
made for complete additional staves
4
notation and staves extended into margin
9
notation extended into margin
10
partial additional staves
5
staveline added
4
staves extended into margin
1
Copying of Music
Colour of Notation
black
8
brown
3
dark brown
1
reddish brown
1
Type of Notation
chant (square)
3
void mensural
10
Monophonic Notation
absent
7
present
4
Level of Calligraphy
fair
3
high
4
very high
3
Non-verbal Performance Instructions
coronae
2
end symbol
3
pointers
2
repeat signs
2
signa congruentiae
6
signes-de-renvoi
8
space-filler
1
Copying of Text
Language
French
1
Latin
8
Presence or Absence of Text
fully texted with one or two texts
1
fully texted with one text
10
fully texted with two or more texts
3
partially texted with one text
1
provided with multiple incipits
1
provided with one or two incipits
1
provided with single incipit
3
untexted
2
Type of Script
cursive
2
cursive (bastarda)
4
cursive (humanistic)
1
display script
3
humanistic
1
textura
2
Level of Calligraphy
fair
4
high
3
very high
3
Colour of Text
black
6
brown
4
dark brown
1
red
5
reddish brown
1
Multiple Texts
no
5
yes
6
Decoration
Miniatures Frequency
never
2
rarely
3
Borders Frequency
never
2
rarely
3
Borders Size
full borders
1
partial borders: one-sided
1
Painted Initials Frequency
rarely
3
Painted Initials Type
Penned Initials Frequency
always
2
normally
5
occasionally
1
rarely
2
sometimes
1
Penned Initials Type
calligraphic
4
calligraphic with decoration
1
calligraphic with grotesque heads
2
decorated
1
decorated with grotesque heads
2
flourished
1
plain initials
1
Planned Initials Frequency
never
3
normally
2
occasionally
1
rarely
2
Planned Initials Type
Other Decoration Frequency
always
1
never
3
normally
1
rarely
2
Other Decoration Type
banner
1
decorative final long
1
end-symbol
1
littera notabilior
2
Filters applied
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Adhoc adaptation: notation extended into margin
Extra space: empty ruled staves on grid
Indentation for initials: single
Pricking frequency: always
Production method: Manuscript
Search results
2
Florence, Italy, Conservatorio di Musica Luigi Cherubini, MS Basevi 2441, 1510-1515, All folios
Seville, Spain, Biblioteca Capitular y Colombina, MS 5-1-43 (olim Z Tab. 135, N.° 33), c. 1470-85, All folios
1