PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
France
1
Italy
6
Silesia
1
Cities
Belgium
1
Florence
4
France
4
Mantua
1
Naples
1
Paris
1
Rome
1
Spain
1
Zagan
1
Production method
Manuscript
12
Physical type
choirbook
9
music treatise(s) with appended polyphony
1
partbooks (complete set)
1
tablebook
1
Material
paper
7
parchment
5
Format
bound upright but prepared oblong
1
oblong
2
upright
9
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
never
1
none visible
6
normally
2
sometimes
3
Height of Staves
Colour of Staves
brown
8
dark brown
3
light brown
2
Ruling Medium
double rastrum
2
freehand
1
quadruple rastrum
1
single rastrum
9
straightedge
1
triple rastrum
2
Number of staves
10
3
2
1
3
2
4
4
5
2
6
6
7
6
8
5
9
2
Disposition of Voice Parts
1-part single page
2
2-part opening
3
2-part single page
5
3-part opening
11
3-part single page
3
4-part opening
10
4-part single page
6
5-part opening
1
5-part single page
1
Indentation for Initials
double
2
none
4
single
10
Extra Space Between Voice Parts
empty ruled staves on grid
12
left between voice parts as part of grid
1
staves not ruled on grid
1
Space Provided for Separate Text
not in dedicated space
10
provided, in dedicated space
5
Adhoc Adaptation
made for complete additional staves
6
notation and staves extended into margin
11
notation extended into margin
8
other
1
partial additional staves
7
staveline added
3
staves extended into margin
3
Copying of Music
Colour of Notation
black
4
blue
1
brown
9
gold
1
light brown
1
red
1
Type of Notation
void mensural
12
Monophonic Notation
absent
12
Level of Calligraphy
fair
10
high
2
poor
1
Non-verbal Performance Instructions
end symbol
3
pointers
2
repeat signs
11
signa congruentiae
6
signes-de-renvoi
9
space-filler
1
Copying of Text
Language
Czech
1
Dutch
5
French
11
German
2
Italian
8
Latin
9
Spanish
3
n/a
1
Presence or Absence of Text
fully texted with one or two texts
10
fully texted with one text
7
fully texted with two texts
1
partially texted with one or two texts
12
partially texted with one text
10
partially texted with two texts
2
provided with one or two incipits
6
provided with single incipit
11
provided with two incipits
3
untexted
12
Type of Script
cursive
1
cursive (German)
1
cursive (bastarda)
4
cursive (humanistic)
1
cursive (italic)
2
display script
1
hybrida
3
Level of Calligraphy
fair
7
high
3
poor
3
Colour of Text
black
3
blue
1
brown
8
dark brown
2
light brown
1
red
4
yellow
1
Multiple Texts
no
2
yes
11
Decoration
Miniatures Frequency
rarely
2
Borders Frequency
always
1
rarely
2
Borders Size
partial borders: three-sided
1
partial borders: two- and three-sided
1
partial borders: two-sided
2
Painted Initials Frequency
always
2
normally
1
rarely
1
Painted Initials Type
decorated
3
zoomorphic initial
1
Penned Initials Frequency
always
1
normally
4
often
2
rarely
3
Penned Initials Type
calligraphic
5
calligraphic with decoration
2
calligraphic with grotesque heads
2
decorated
1
flourished
2
littera notabilior
1
plain initials
1
Planned Initials Frequency
normally
3
rarely
3
sometimes
2
Planned Initials Type
Guide letters only
2
Other Decoration Frequency
normally
1
occasionally
1
often
1
rarely
1
Other Decoration Type
decorative final long
3
end-symbol
1
Filters applied
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Colour of text: brown
Disposition of voice part: 4-part single page
Indentation for initials: varies
Number of staves: 10
Penned initials frequency: always
Ruling medium: single rastrum
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1
Florence, Italy, Biblioteca Nazionale Centrale, MS Banco Rari 230 (olim Magliabechi XIX.141), c. 1500-1513, before 1515, All folios
1