PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Italy
5
Spain
2
Cities
Belgium
1
Catalonia
1
Florence
2
France
2
Girona
1
Italy
1
Italy (North)
1
Mantua
1
Modena
1
Naples
1
Rome
1
Savoy, France
1
Seville
1
Production method
Manuscript
11
Physical type
choirbook
10
music treatise(s) with appended polyphony
1
Material
paper
7
paper (with parchment)
1
parchment
3
Format
oblong
1
upright
10
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
1
never
2
none visible
5
sometimes
3
Height of Staves
Colour of Staves
black
1
brown
7
dark brown
3
light brown
1
reddish brown
1
Ruling Medium
double rastrum
2
single rastrum
10
Number of staves
10
4
11
1
12
2
6
4
7
5
8
3
9
1
Disposition of Voice Parts
1-part single page
1
2-part opening
4
2-part single page
5
3-part opening
11
3-part single page
4
4-part opening
10
4-part single page
6
5-part opening
4
5-part single page
2
6-part opening
2
Indentation for Initials
double
1
none
5
single
8
Extra Space Between Voice Parts
empty ruled staves on grid
11
Space Provided for Separate Text
no separate text
3
not in dedicated space
6
provided, in dedicated space
2
Adhoc Adaptation
Indentation for initials filled in
1
made for complete additional staves
4
notation and staves extended into margin
10
notation extended into margin
8
partial additional staves
6
staveline added
4
staves extended into margin
1
Copying of Music
Colour of Notation
black
4
brown
9
reddish brown
1
Type of Notation
chant (square)
1
void mensural
11
Monophonic Notation
absent
9
present
2
Level of Calligraphy
fair
7
high
3
very high
1
Non-verbal Performance Instructions
coronae
2
end symbol
4
pointers
1
repeat signs
9
signa congruentiae
5
signes-de-renvoi
11
Copying of Text
Language
Dutch
5
French
10
German
1
Italian
4
Latin
11
Spanish
2
Presence or Absence of Text
fully texted and provided with incipit
2
fully texted with one or two texts
7
fully texted with one text
10
partially texted with one or two texts
4
partially texted with one text
9
partially texted with two texts
2
provided with one or two incipits
11
provided with single incipit
11
provided with two incipits
1
untexted
11
Type of Script
cursive
3
cursive (bastarda)
4
cursive (humanistic)
1
cursive (italic)
1
display script
2
hybrida
3
roman
1
Level of Calligraphy
fair
6
high
5
poor
1
very high
1
Colour of Text
black
3
blue
1
brown
10
dark brown
1
red
2
reddish brown
1
yellow
1
Multiple Texts
no
3
yes
9
Decoration
Miniatures Frequency
never
1
Borders Frequency
never
1
often
1
rarely
2
Borders Size
full borders
1
partial borders: one-sided
1
partial borders: three-sided
1
partial borders: two-sided
1
Painted Initials Frequency
normally
1
often
1
rarely
1
Painted Initials Type
decorated
2
flourished
1
zoomorphic initial
1
Penned Initials Frequency
normally
5
occasionally
1
often
2
rarely
2
sometimes
2
Penned Initials Type
calligraphic
6
calligraphic with decoration
6
calligraphic with grotesque heads
6
flourished
1
historiated
1
plain initials
1
Planned Initials Frequency
normally
1
often
1
rarely
3
sometimes
2
Planned Initials Type
Guide letters only
1
Other Decoration Frequency
normally
1
occasionally
1
often
3
rarely
1
Other Decoration Type
Voice-names
1
banner
1
decorative final long
2
end-symbol
2
littera notabilior
2
Filters applied
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Presence absence of text: provided with one or two incipits
Presence absence of text: provided with single incipit
Non verbal performance instructions: signes-de-renvoi
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2
Cambridge, Great Britain, Gonville and Caius College, MS 667/760, Late 1520s, All folios
London, Great Britain, Lambeth Palace Library, MS 1, Late 1520s, All folios
1