PRoMs - The Production and Reading of Music Sources

Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Painted initials type: plain initials Colour of notation: dark brown Presence absence of text: partially texted with one text

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12
  1. Barcelona, Spain, Biblioteca de Catalunya, M. 454, 1500–1534, All folios
  2. Brussels, Belgium, Bibliothèque Royal Albert 1er/Koninklijke Bibliotheek Albert I, MS IV.90, 1511, Discantus partbook (All folios)
  3. Florence, Italy, Biblioteca Nazionale Centrale, MS Panciatichi 27, Early 16th century, All folios
  4. Florence, Italy, Conservatorio di Musica Luigi Cherubini, MS Basevi 2441, 1510-1515, All folios
  5. Florence, Italy, Conservatorio di Musica Luigi Cherubini, MS Basevi 2442, First half of the 16th century, probably c. 1527, Cantus partbook, all folios
  6. Paris, France, Bibliothèque Nationale, nouvelles acquisitions françaises MS 4379, c. 1470-85, 1-42
  7. Segovia, Spain, Archivo Capitular de la Catedral, MS s.s., c. 1498-1515, All folios
  8. Seville, Spain, Biblioteca Capitular y Colombina, MS 5-1-43 (olim Z Tab. 135, N.° 33), c. 1470-85, All folios
  9. Seville, Spain, Biblioteca Capitular y Colombina, MS 7-1-28, Late 15th century, All folios
  10. Brussels, Belgium, Bibliothèque Royal Albert 1er/Koninklijke Bibliotheek Albert I, MS IV.1274, , Altus partbook (All folios)
  11. Florence, Italy, Conservatorio di Musica Luigi Cherubini, MS Basevi 2442, First half of the 16th century, probably c. 1527, Tenor partbook, all folios
  12. Florence, Italy, Conservatorio di Musica Luigi Cherubini, MS Basevi 2442, First half of the 16th century, probably c. 1527, Altus partbook, all folios