PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Belgium
1
Great Britain
2
Spain
4
Switzerland
1
Cities
Basel
1
Brussels
1
Catalonia
2
England
1
Germany
1
Girona
1
Italy
1
London
1
Mechelen
1
Segovia
1
Toledo
1
Vic
1
Zaragoza
1
Production method
Manuscript
10
Physical type
chansonnier
1
choirbook
7
choirbook (single quire(s))
2
Material
paper
8
parchment (with paper)
1
parchment and paper (mixed)
1
Format
upright
10
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
3
never
1
none visible
5
normally
3
Height of Staves
Colour of Staves
black
6
brown
3
dark brown
1
Ruling Medium
double rastrum
2
freehand
2
single rastrum
6
straightedge
4
Number of staves
1
1
10
9
11
4
12
4
2
1
3
2
4
1
5
3
6
4
7
4
8
5
9
6
Disposition of Voice Parts
1-part single page
5
2-part opening
5
2-part single page
6
3-part consecutive
1
3-part opening
8
3-part score
1
3-part single page
6
4-part opening
10
4-part single page
5
5-part opening
8
5-part single page
2
6-part opening
2
8-part opening
1
Indentation for Initials
double
3
none
3
single
9
triple
1
Extra Space Between Voice Parts
empty ruled staves on grid
9
left below voice parts as part of grid
2
left between voice parts as part of grid
2
none
2
staves not ruled on grid
1
variable space, not on grid
1
Space Provided for Separate Text
no separate text
6
not in dedicated space
3
provided, in dedicated space
2
Adhoc Adaptation
Indentation for initials filled in
2
made for complete additional staves
6
notation and staves extended into margin
9
notation extended into margin
7
other
1
partial additional staves
6
staveline added
5
staves extended into margin
2
Copying of Music
Colour of Notation
black
8
brown
1
dark brown
3
red
1
reddish brown
1
Type of Notation
chant (square)
3
full mensural
2
strene notation
1
void mensural
10
Monophonic Notation
absent
7
present
4
Level of Calligraphy
fair
3
high
5
poor
2
very poor
1
Non-verbal Performance Instructions
coronae
5
end symbol
6
none
2
pointers
3
repeat signs
6
signa congruentiae
7
signes-de-renvoi
7
space-filler
2
Copying of Text
Language
English
2
Flemish
1
French
3
Latin
10
Spanish
2
Presence or Absence of Text
fully texted and provided with incipit
1
fully texted with one or two texts
4
fully texted with one text
10
fully texted with two or more texts
2
fully texted with two texts
1
partially texted with one text
5
provided with multiple incipits
1
provided with one or two incipits
3
provided with single incipit
7
untexted
10
Type of Script
cursive
3
cursive (Anglicana)
2
cursive (German)
2
cursive (bastarda)
1
cursive (humanistic)
1
display script
1
humanistic
1
hybrida
1
Level of Calligraphy
fair
5
high
3
poor
3
very poor
1
Colour of Text
black
7
brown
3
dark brown
3
red
2
reddish brown
1
Multiple Texts
no
5
yes
6
Decoration
Miniatures Frequency
never
10
Borders Frequency
never
10
Borders Size
Painted Initials Frequency
never
1
often
1
rarely
1
sometimes
1
Painted Initials Type
decorated
1
flourished
2
plain initials
2
Penned Initials Frequency
always
1
normally
1
occasionally
1
often
1
rarely
5
sometimes
3
Penned Initials Type
calligraphic
6
calligraphic with decoration
2
calligraphic with grotesque heads
1
decorated
2
flourished
1
littera notabilior
1
plain initials
4
Planned Initials Frequency
never
1
normally
2
occasionally
2
often
1
rarely
5
sometimes
1
Planned Initials Type
Other Decoration Frequency
always
1
never
4
rarely
4
sometimes
3
Other Decoration Type
banner
1
decorated letters
1
decorative final long
2
end-symbol
3
littera notabilior
4
Filters applied
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Disposition of voice part: 4-part opening
Presence absence of text: untexted
Borders frequency: never
Search results
1
Barcelona, Spain, Biblioteca Orfeó Català, MS 5 (olim 12-VI-12), 1490-1510, All folios
1