PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
France
2
Italy
11
Spain
2
Cities
Belgium
1
Florence
8
France
4
Glarus, Switzerland
1
Italy
1
Italy (North)
1
Mantua
1
Milan
1
Naples
1
Paris
2
Rome
1
Segovia
1
Seville
1
Spain
2
Switzerland
1
Toledo
1
Production method
Manuscript
22
Physical type
choirbook
15
music treatise(s) with appended polyphony
1
partbook (single)
1
partbooks (complete set)
4
partbooks (incomplete set)
1
Material
paper
17
paper (with parchment)
1
parchment
4
Format
oblong
11
upright
11
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
2
never
3
none visible
15
normally
1
sometimes
1
Height of Staves
Colour of Staves
black
1
brown
11
dark brown
7
light brown
2
red
1
reddish brown
1
Ruling Medium
double rastrum
2
single rastrum
12
straightedge
2
triple rastrum
7
Number of staves
10
4
11
1
2
3
3
6
4
4
5
4
6
9
7
4
8
5
9
2
Disposition of Voice Parts
1-part single page
11
2-part opening
5
2-part single page
7
3-part opening
16
3-part single page
8
4-part opening
14
4-part single page
7
5-part opening
5
5-part single page
1
6-part opening
1
8-part opening
1
Indentation for Initials
none
13
single
12
Extra Space Between Voice Parts
empty ruled staves on grid
16
none
4
staves not ruled on grid
2
variable space, not on grid
1
Space Provided for Separate Text
no separate text
7
not in dedicated space
14
provided, in dedicated space
4
Adhoc Adaptation
Indentation for initials filled in
2
made for complete additional staves
6
notation and staves extended into margin
19
notation extended into margin
11
other
1
partial additional staves
11
staveline added
7
staves extended into margin
2
Copying of Music
Colour of Notation
black
4
brown
22
Type of Notation
chant (square)
1
full mensural
1
void mensural
21
Monophonic Notation
absent
19
present
3
Level of Calligraphy
fair
14
high
6
poor
1
very high
1
Non-verbal Performance Instructions
coronae
1
end symbol
5
pointers
2
repeat signs
18
signa congruentiae
7
signes-de-renvoi
12
space-filler
1
Copying of Text
Language
Dutch
6
Flemish
1
French
20
German
1
Italian
16
Latin
19
Spanish
6
Presence or Absence of Text
fully texted and provided with incipit
2
fully texted with one or two texts
16
fully texted with one text
15
fully texted with two texts
1
partially texted with one or two texts
5
partially texted with one text
11
provided with one or two incipits
7
provided with single incipit
16
provided with two incipits
2
untexted
15
Type of Script
cursive
5
cursive (bastarda)
5
cursive (humanistic)
4
cursive (italic)
6
display script
2
hybrida
5
roman
1
Level of Calligraphy
fair
12
high
9
poor
4
Colour of Text
black
5
blue
1
brown
19
dark brown
2
red
4
yellow
1
Multiple Texts
no
8
yes
17
Decoration
Miniatures Frequency
never
1
rarely
3
Borders Frequency
always
1
never
1
rarely
2
Borders Size
full borders
2
partial borders: two- and three-sided
1
Painted Initials Frequency
always
1
normally
3
occasionally
1
rarely
2
Painted Initials Type
calligraphic with decoration
1
decorated
4
flourished
1
historiated
1
Penned Initials Frequency
always
1
normally
8
occasionally
2
often
4
rarely
2
sometimes
3
Penned Initials Type
calligraphic
9
calligraphic with decoration
7
calligraphic with grotesque heads
7
flourished
3
historiated
1
plain initials
6
Planned Initials Frequency
normally
3
occasionally
1
often
2
rarely
5
sometimes
3
Planned Initials Type
Guide letters only
2
Other Decoration Frequency
never
1
normally
1
occasionally
1
often
2
Other Decoration Type
decorative final long
3
end-symbol
1
littera notabilior
1
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Colour of notation: brown
Search results
22
Florence, Italy, Biblioteca Nazionale Centrale, MS II.I.232 (olim Magliabechi XIX.58), c. 1515-1521, All folios
Cambridge, Great Britain, Magdalene College, MS Pepys 1760, c. 1509-c. 1514, All folios
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