PRoMs - The Production and Reading of Music Sources

Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Adhoc adaptation: notation extended into margin Production method: Manuscript Ruling medium: freehand Disposition of voice part: 3-part single page Type of notation: chant (square) Disposition of voice part: 3-part score Multiple texts: yes

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9
  1. Madrid, Spain, Palacio Real, Biblioteca, MS II/1335, c. 1505-20, All folios
  2. Montecassino, Italy, Biblioteca dell'Abbazia, MS 871, late 15th century, pp. 247-434
  3. Florence, Italy, Conservatorio di Musica Luigi Cherubini, MS Basevi 2442, First half of the 16th century, probably c. 1527, Altus partbook, all folios
  4. Florence, Italy, Conservatorio di Musica Luigi Cherubini, MS Basevi 2442, First half of the 16th century, probably c. 1527, Tenor partbook, all folios
  5. Florence, Italy, Conservatorio di Musica Luigi Cherubini, MS Basevi 2441, 1510-1515, All folios
  6. Florence, Italy, Conservatorio di Musica Luigi Cherubini, MS Basevi 2440, 1515-1525, All folios
  7. Barcelona, Spain, Biblioteca de Catalunya, M. 454, 1500–1534, All folios
  8. Paris, France, Bibliothèque Nationale, fonds du conservatoire MS Rés. Vm7 676, 1502, All folios
  9. Florence, Italy, Conservatorio di Musica Luigi Cherubini, MS Basevi 2442, First half of the 16th century, probably c. 1527, Cantus partbook, all folios