PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Belgium
11
France
1
Germany
2
Italy
4
Cities
Antwerp
1
Brussels
6
Florence
1
Germany (South)
1
Glarus, Switzerland
1
Italy (North)
1
Mantua
1
Mechelen
10
Milan
1
Munich
1
Naples
1
Netherlands
1
Paris
1
Rome
1
Spain
1
Venice
1
Wittenberg
1
Production method
Manuscript
22
Physical type
choirbook
21
polyphonic music manuscript appended to polyphonic music print
1
Material
paper
7
paper (with parchment)
2
parchment
11
parchment (with paper)
2
Format
oblong
1
upright
21
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
7
never
3
none visible
9
occasionally
1
often
2
sometimes
1
Height of Staves
Colour of Staves
black
16
brown
6
dark brown
1
red
3
Ruling Medium
freehand
1
single rastrum
20
straightedge
2
Number of staves
1
2
10
16
11
6
12
2
2
4
3
4
4
4
5
9
6
14
7
10
8
15
9
15
Disposition of Voice Parts
1-part single page
7
12-part opening
1
2-part consecutive
1
2-part opening
10
2-part single page
6
3-part opening
15
3-part single page
4
4-part opening
21
4-part single page
4
5-part opening
13
6-part opening
5
7-part opening
1
Indentation for Initials
double
14
none
6
quadruple
1
single
18
triple
11
Extra Space Between Voice Parts
empty ruled staves on grid
19
none
2
staves not ruled
2
staves not ruled on grid
14
variable space, not on grid
5
Space Provided for Separate Text
no separate text
15
not in dedicated space
5
provided, in dedicated space
5
Adhoc Adaptation
made for complete additional staves
9
notation and staves extended into margin
17
notation extended into margin
9
other
1
partial additional staves
10
staveline added
2
staves extended into margin
2
Copying of Music
Colour of Notation
black
19
brown
5
red
2
Type of Notation
chant (square)
1
full mensural
1
void mensural
22
Monophonic Notation
absent
20
present
4
Level of Calligraphy
fair
6
high
8
very high
9
Non-verbal Performance Instructions
coronae
2
end symbol
3
pointers
1
repeat signs
7
signa congruentiae
13
signes-de-renvoi
16
space-filler
2
Copying of Text
Language
Dutch
1
Flemish
1
French
6
German
1
Italian
4
Latin
21
Spanish
1
Presence or Absence of Text
fully texted with one or two texts
4
fully texted with one text
20
fully texted with two or more texts
7
partially texted with one or two texts
3
partially texted with one text
4
provided with one or two incipits
2
provided with single incipit
7
untexted
7
Type of Script
cursive
2
cursive (bastarda)
13
cursive (humanistic)
1
display script
12
hybrida
3
textura
4
Level of Calligraphy
fair
5
high
10
poor
1
very high
9
Colour of Text
black
18
blue
3
brown
4
dark brown
2
grey
1
red
22
yellow
1
Multiple Texts
no
12
yes
12
Decoration
Miniatures Frequency
always
1
never
2
rarely
10
Borders Frequency
never
4
occasionally
1
rarely
8
Borders Size
full borders
4
partial borders: one- and two-sided
2
partial borders: one-sided
1
partial borders: three-sided
1
Painted Initials Frequency
never
4
occasionally
1
often
2
rarely
10
sometimes
1
Painted Initials Type
calligraphic with decoration
2
decorated
1
decorated with grotesque heads
2
flourished
2
historiated
2
plain initials
1
trompe l'oeil
1
zoomorphic initial
1
Penned Initials Frequency
never
1
normally
16
occasionally
4
often
4
rarely
7
sometimes
1
Penned Initials Type
calligraphic
11
calligraphic with decoration
4
calligraphic with grotesque heads
6
decorated
1
decorated with grotesque heads
3
flourished
5
plain initials
2
Planned Initials Frequency
never
5
occasionally
1
often
3
rarely
8
sometimes
2
Planned Initials Type
Guide letters only
1
Other Decoration Frequency
always
3
never
7
normally
1
often
5
rarely
2
Other Decoration Type
Voice-names
2
banner
1
decorated letters
1
decorative final long
3
embellished final barline
1
end-symbol
2
littera notabilior
2
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Search results
22
Paris, France, Bibliothèque Nationale, fonds du conservatoire MS Rés. Vm7 676, 1502, All folios
Toledo, Spain, Catedral, Obra y Fabrica, MS Reservado 23, c. 1520-1535, All folios
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