PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
Austria
2
Belgium
20
Czech Republic
3
France
5
Germany
7
Great Britain
6
Italy
34
Netherlands
1
Spain
8
Switzerland
4
Cities
Antwerp
1
Augsburg
3
Barcelona
1
Basel
3
Belgium
1
Bologna
1
Bourges
1
Bruges
1
Brussels
12
Casale Monferrato
3
Catalonia
1
Cognac
1
Corbie
1
Ferrara
3
Flanders
1
Florence
17
France
6
Germany
1
Germany (South)
1
Glarus, Switzerland
2
Halberstadt
1
Hradec Králové
3
Innsbruck
1
Italy
5
Italy (North)
1
Leipzig
2
London
6
Maastricht
1
Mantua
2
Mechelen
17
Milan
2
Modena
1
Munich
3
Naples
1
Padua
1
Paris
3
Pisa
1
Rome
2
Segovia
1
Seville
2
Siena
2
Spain
1
St Gall
1
Switzerland
1
Tarazona
3
Toledo
1
Torgau
1
Venice
1
Verona
1
Vienna
1
Windsor
1
Wittenberg
1
Zaragoza
1
Production method
Manuscript
107
Physical type
chansonnier
1
chant book with polyphony
1
choirbook
72
choirbook (single quire(s))
1
composite manuscript with interpolated polyphony
1
monophonic manuscript with interpolated polyphony
1
music treatise(s) containing polyphony
1
music treatise(s) with appended monophony and polyphony
1
music treatise(s) with appended polyphony
1
non-music manuscript with interpolated polyphony
2
partbook (fragment)
1
partbook (single)
6
partbooks (complete set)
9
partbooks (incomplete set)
8
polyphonic music manuscript appended to polyphonic music print
1
Material
paper
60
paper (with parchment)
4
parchment
39
parchment (with paper)
2
parchment and paper (mixed)
2
Format
oblong
29
upright
78
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
always
33
n/a
1
never
18
none visible
44
normally
6
occasionally
1
often
4
rarely
2
sometimes
4
Height of Staves
Colour of Staves
black
42
brown
47
dark brown
15
gold
2
light brown
4
red
6
reddish brown
2
Ruling Medium
double and single rastra
2
double rastrum
7
freehand
5
printed staves
5
quadruple rastrum
2
single rastrum
78
straightedge
11
triple rastrum
11
Number of staves
1
4
10
42
11
20
12
9
13
4
14
1
2
10
3
17
4
19
5
22
6
36
7
28
8
39
9
36
Disposition of Voice Parts
1-part single page
38
2-part consecutive
3
2-part opening
32
2-part score
2
2-part single page
19
3-part consecutive
4
3-part opening
63
3-part score
2
3-part single page
16
4-part consecutive
2
4-part opening
72
4-part score
1
4-part single page
18
5-part consecutive
1
5-part opening
38
5-part single page
3
6-part opening
11
7-part opening
1
8-part opening
1
n/a
5
Indentation for Initials
double
36
none
42
quadruple
5
quintuple
1
single
68
triple
18
varies
2
Extra Space Between Voice Parts
empty ruled staves on grid
85
left below voice parts as part of grid
4
left between voice parts as part of grid
4
none
18
staves not ruled
3
staves not ruled on grid
24
variable space, not on grid
7
Space Provided for Separate Text
no separate text
74
not in dedicated space
28
provided, in dedicated space
17
Adhoc Adaptation
Indentation for initials filled in
7
made for complete additional staves
30
none
1
notation and staves extended into margin
71
notation extended into margin
41
other
4
partial additional staves
39
staveline added
22
staves extended into margin
6
Copying of Music
Colour of Notation
black
61
blue
1
brown
43
dark brown
12
gold
2
light brown
3
red
7
Type of Notation
chant (Central European)
1
chant (square)
9
full mensural
9
void mensural
102
Monophonic Notation
absent
88
present
24
Level of Calligraphy
fair
46
high
34
poor
10
very high
24
Non-verbal Performance Instructions
coronae
10
custodes
1
end symbol
17
none
2
pointers
8
repeat signs
38
signa congruentiae
52
signes-de-renvoi
55
space-filler
5
Copying of Text
Language
Czech
3
Dutch
12
English
2
Flemish
6
French
49
German
9
Italian
25
Latin
88
Spanish
13
n/a
1
Presence or Absence of Text
fully texted and provided with incipit
1
fully texted with one or two texts
32
fully texted with one text
89
fully texted with two or more texts
17
fully texted with two texts
7
partially texted with one or two texts
8
partially texted with one text
25
partially texted with two texts
1
provided with multiple incipits
2
provided with one or two incipits
9
provided with single incipit
49
provided with two incipits
5
untexted
44
varies
2
Type of Script
antiqua
1
cursive
26
cursive (Anglicana)
1
cursive (German)
6
cursive (bastarda)
36
cursive (humanistic)
13
cursive (italic)
9
display script
26
humanistic
2
hybrida
7
roman
2
rotonda
1
textura
15
various
1
Level of Calligraphy
fair
45
high
44
poor
10
very high
20
Colour of Text
black
59
blue
6
brown
48
dark brown
10
gold
2
grey
1
light brown
2
red
39
yellow
1
Multiple Texts
no
55
yes
61
Decoration
Miniatures Frequency
always
1
never
8
often
1
rarely
30
sometimes
1
Borders Frequency
always
2
never
9
occasionally
1
rarely
26
sometimes
1
Borders Size
full and partial borders
2
full borders
8
partial borders: one- and two-sided
4
partial borders: one-sided
6
partial borders: three-sided
2
partial borders: two- and three-sided
2
partial borders: two-sided
6
Painted Initials Frequency
always
4
never
6
normally
8
occasionally
2
often
1
rarely
26
sometimes
2
Painted Initials Type
calligraphic with decoration
2
decorated
16
decorated with grotesque heads
2
flourished
4
historiated
4
plain initials
3
trompe l'oeil
1
zoomorphic initial
3
Penned Initials Frequency
always
12
never
2
normally
40
occasionally
18
often
13
rarely
22
sometimes
11
Penned Initials Type
calligraphic
42
calligraphic with decoration
15
calligraphic with grotesque heads
18
decorated
9
decorated with grotesque heads
5
flourished
15
historiated
1
littera notabilior
5
plain initials
21
Planned Initials Frequency
always
5
never
13
normally
13
occasionally
3
often
7
rarely
18
sometimes
8
Planned Initials Type
Guide letters only
2
Other Decoration Frequency
always
4
never
19
normally
5
occasionally
9
often
7
rarely
10
sometimes
5
Other Decoration Type
banner
2
decorated letters
3
decorative final long
16
embellished final barline
2
end-symbol
6
littera notabilior
8
ornament
2
signa congruentiae
1
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Production method: Manuscript
Search results
102
Brussels, Belgium, Bibliothèque Royal Albert 1er/Koninklijke Bibliotheek Albert I, MS IV.922, c. 1520, one quire (117-125) c. 1515, All folios
Florence, Italy, Biblioteca Nazionale Centrale, MS Banco Rari 229 (olim Magliabechi XIX.59), 1492-1493, All folios
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