PRoMs - The Production and Reading of Music Sources

Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Colour of Staves
Ruling Medium
Number of staves
Disposition of Voice Parts
Indentation for Initials
Extra Space Between Voice Parts
Space Provided for Separate Text
Adhoc Adaptation
Copying of Music
Colour of Notation
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Monophonic Notation
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Non-verbal Performance Instructions
Copying of Text
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Multiple Texts
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Miniatures Frequency
Borders Frequency
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Disposition of voice part: 1-part single page Type of notation: full mensural Disposition of voice part: 3-part consecutive Disposition of voice part: 5-part single page Adhoc adaptation: staveline added Disposition of voice part: 3-part single page Colour of text: red Planned initials frequency: rarely Production method: Manuscript

Search results

6
  1. London, Great Britain, British Library, MS Additional 35087, 1505-06,
  2. Basel, Switzerland, Öffentliche Bibliothek der Universität, MS F VI 26 f, First quarter of the 16th century,
  3. Barcelona, Spain, Biblioteca de Catalunya, M. 454, 1500–1534, All folios
  4. Tarazona, Spain, Archivo Capitular de la Catedral, MS 2-3, Early 16th century, All folios
  5. Florence, Italy, Conservatorio di Musica Luigi Cherubini, MS Basevi 2441, 1510-1515, All folios
  6. Seville, Spain, Biblioteca Capitular y Colombina, MS 5-1-43 (olim Z Tab. 135, N.° 33), c. 1470-85, All folios