PRoMs - The Production and Reading of Music Sources

Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Colour of Staves
Ruling Medium
Number of staves
Disposition of Voice Parts
Indentation for Initials
Extra Space Between Voice Parts
Space Provided for Separate Text
Adhoc Adaptation
Copying of Music
Colour of Notation
Type of Notation
Monophonic Notation
Level of Calligraphy
Non-verbal Performance Instructions
Copying of Text
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Multiple Texts
Decoration
Miniatures Frequency
Borders Frequency
Borders Size
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Penned Initials Frequency
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Disposition of voice part: 5-part single page Adhoc adaptation: notation extended into margin Adhoc adaptation: staveline added Disposition of voice part: 3-part single page Adhoc adaptation: partial additional staves Penned initials type: plain initials Non verbal performance instructions: end symbol

Search results

5
  1. Seville, Spain, Biblioteca Capitular y Colombina, MS 5-1-43 (olim Z Tab. 135, N.° 33), c. 1470-85, All folios
  2. Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167, c. 1515-c. 1540, MS Magliabechi XIX.167 (Cantus), All folios
  3. Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.178, c. 1492-1494, All folios
  4. Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.107bis, 1510-1513, All folios
  5. Paris, France, Bibliothèque Nationale, MS Rés. Vmc. 57, c. 1470, All folios