PRoMs - The Production and Reading of Music Sources

Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Preparation
Size of Music Text Area
Pricking
Height of Staves
Colour of Staves
Ruling Medium
Number of staves
Disposition of Voice Parts
Indentation for Initials
Extra Space Between Voice Parts
Space Provided for Separate Text
Adhoc Adaptation
Copying of Music
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Monophonic Notation
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Non-verbal Performance Instructions
Copying of Text
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Multiple Texts
Decoration
Miniatures Frequency
Borders Frequency
Borders Size
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Penned Initials Frequency
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Planned Initials Frequency
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Other Decoration Frequency
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Disposition of voice part: 7-part consecutive

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11
  1. Bologna, Italy, Museo internazionale e biblioteca della musica di Bologna, MS Q 132, First half of 16th century, all
  2. Brussels, Belgium, Library Koninklijk Conservatorium / Conservatoire Royal, Brussels, MS 16857, late 15th century, All folios
  3. Bologna, Italy, Museo internazionale e biblioteca della musica di Bologna, MS Q 27 II°, 1520-30, Discantus partbook (All folios)
  4. Leipzig, Germany, Universitätsbibliothek, MS 1494, c. 1490-1504, All folios
  5. Casale Monferrato, Italy, Archivio Capitolare, Fondo Musicale 3 (olim P(E)), , All folios
  6. London, Great Britain, British Library, MS Additional 5465, c. 1500, All folios
  7. Bologna, Italy, Museo internazionale e biblioteca della musica di Bologna, MS Q 19, c. 1518, All folios
  8. Zaragoza, Spain, Iglesia Metropolitana de la Virgen del Pilar, Archivo Musical, Armario C-3, MS 17, 16th century,
  9. London, Great Britain, British Library, MS Royal 20 A. xvi, c. 1480-90, All folios
  10. London, Great Britain, British Library, MS Additional 31922, c. 1510-20, All folios
  11. Munich, Germany, Bayerische Staatsbibliothek, Musica MS 35 (olim H.C. 24; = MaiM 62), c. 1510-31, All folios