PRoMs - The Production and Reading of Music Sources

Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Production method: Manuscript Type of notation: chant (square) Ruling medium: freehand Borders frequency: never Disposition of voice part: 3-part score Non verbal performance instructions: end symbol Adhoc adaptation: notation and staves extended into margin

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33
  1. Segovia, Spain, Archivo Capitular de la Catedral, MS s.s., c. 1498-1515, All folios
  2. Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167, c. 1515-c. 1540, MS Magliabechi XIX.166 (Tenor), All folios
  3. London, Great Britain, Royal College of Music, MS 1070, 1505-13, All folios
  4. Munich, Germany, Bayerische Staatsbibliothek, Musica MS 31 (olim H.C.30; = MaiM 71), c. 1510, All folios
  5. London, Great Britain, British Library, MS Royal Appendix 45-48, c. 1530, Tenor partbook (App. 45), all folios
  6. Berlin, Germany, Staatsbibliothek Preussischer Kulturbesitz, MS Mus. 40021 (olim Z 21), c. 1485-1500, All folios
  7. London, Great Britain, British Library, MS Royal Appendix 45-48, c. 1530, Contratenor partbook (App. 46), all folios
  8. London, Great Britain, British Library, MS Royal Appendix 45-48, c. 1530, Triplex partbook (App. 47), all folios
  9. Florence, Italy, Biblioteca Riccardiana, MS 2356, c. 1480-1485, All folios
  10. London, Great Britain, British Library, MS Royal Appendix 45-48, c. 1530, Organ partbook (App. 48), all folios
  11. Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167, c. 1515-c. 1540, MS Magliabechi XIX.167 (Cantus), All folios
  12. Paris, France, Bibliothèque Nationale, fonds du conservatoire MS Rés. Vm7 676, 1502, All folios
  13. Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.178, c. 1492-1494, All folios