PRoMs - The Production and Reading of Music Sources

Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Format
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
Height of Staves
Colour of Staves
Ruling Medium
Number of staves
Disposition of Voice Parts
Indentation for Initials
Extra Space Between Voice Parts
Space Provided for Separate Text
Adhoc Adaptation
Copying of Music
Colour of Notation
Type of Notation
Monophonic Notation
Level of Calligraphy
Non-verbal Performance Instructions
Copying of Text
Language
Presence or Absence of Text
Type of Script
Level of Calligraphy
Colour of Text
Multiple Texts
Decoration
Miniatures Frequency
Borders Frequency
Borders Size
Painted Initials Frequency
Painted Initials Type
Penned Initials Frequency
Penned Initials Type
Planned Initials Frequency
Planned Initials Type
Other Decoration Frequency
Other Decoration Type

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Ruling medium: single rastrum Separate text: not in dedicated space Presence absence of text: provided with one or two incipits Presence absence of text: fully texted with one text Pricking frequency: none visible Presence absence of text: partially texted with one or two texts Presence absence of text: partially texted with one text Borders frequency: never Disposition of voice part: 5-part opening

Search results

25
  1. Florence, Italy, Biblioteca Nazionale Centrale, MS Banco Rari 229 (olim Magliabechi XIX.59), 1492-1493, All folios
  2. Jena, Germany, Thüringer Universitäts- und Landesbibliothek, MS 3, 1518-20, All folios
  3. Paris, France, Bibliothèque Nationale, fonds français MS 15123 (olim Suppl. Fr. 2637), c.1480-4, All folios
  4. Jena, Germany, Thüringer Universitäts- und Landesbibliothek, MS 9, c. 1515, All folios
  5. Cambridge, Great Britain, Magdalene College, MS Pepys 1760, c. 1509-c. 1514, All folios