PRoMs - The Production and Reading of Music Sources

Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Height of Staves
Colour of Staves
Ruling Medium
Number of staves
Disposition of Voice Parts
Indentation for Initials
Extra Space Between Voice Parts
Space Provided for Separate Text
Adhoc Adaptation
Copying of Music
Colour of Notation
Type of Notation
Monophonic Notation
Level of Calligraphy
Non-verbal Performance Instructions
Copying of Text
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Presence or Absence of Text
Type of Script
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Miniatures Frequency
Borders Frequency
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Penned Initials Frequency
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Planned Initials Frequency
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Presence absence of text: partially texted with one text Presence absence of text: provided with single incipit Presence absence of text: fully texted with one text Colour of text: brown Multiple texts: no Disposition of voice part: 2-part single page Extra space: left between voice parts as part of grid Presence absence of text: provided with one or two incipits Locations part of: Germany

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48
  1. Montserrat, Spain, Monasterio de S Maria, MS 773, c. 1510-15, All folios
  2. Tarazona, Spain, Archivo Capitular de la Catedral, MS 2-3, Early 16th century, All folios
  3. London, Great Britain, British Library, MS Egerton 3051, c. 1500, All folios
  4. Montserrat, Spain, Monasterio de S Maria, MS 766, 1517-34, All folios
  5. Jena, Germany, Thüringer Universitäts- und Landesbibliothek, MS 7, c. 1515, All folios
  6. Cambridge, Great Britain, Magdalene College, MS Pepys 1760, c. 1509-c. 1514, All folios
  7. Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.178, c. 1492-1494, All folios
  8. Paris, France, Bibliothèque Nationale, fonds du conservatoire MS Rés. Vm7 676, 1502, All folios