PRoMs - The Production and Reading of Music Sources

Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Disposition of voice part: 3-part consecutive Planned initials frequency: rarely Adhoc adaptation: notation extended into margin Disposition of voice part: 3-part single page Disposition of voice part: 1-part single page Type of notation: chant (square) Disposition of voice part: 5-part single page Adhoc adaptation: staves extended into margin Adhoc adaptation: notation and staves extended into margin Production method: Manuscript Presence absence of text: fully texted with one text

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68
  1. Florence, Italy, Biblioteca Nazionale Centrale, MS II.I.232 (olim Magliabechi XIX.58), c. 1515-1521, All folios
  2. Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.107bis, 1510-1513, All folios
  3. Paris, France, Bibliothèque Nationale, fonds français MS 2245, c. 1490-8, All folios
  4. Florence, Italy, Biblioteca Nazionale Centrale, MS Banco Rari 229 (olim Magliabechi XIX.59), 1492-1493, All folios
  5. Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.178, c. 1492-1494, All folios
  6. Florence, Italy, Conservatorio di Musica Luigi Cherubini, MS Basevi 2442, First half of the 16th century, probably c. 1527, Cantus partbook, all folios
  7. Paris, France, Bibliothèque Nationale, fonds du conservatoire MS Rés. 862, c. 1503-5, 73-88
  8. Brussels, Belgium, Bibliothèque Royal Albert 1er/Koninklijke Bibliotheek Albert I, MS 9126, 1504-1505, All folios