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Disposition of voice part: 5-part single page
Production method: Manuscript
Planned initials frequency: rarely
Disposition of voice part: 1-part single page
Adhoc adaptation: notation extended into margin
Adhoc adaptation: staves extended into margin
Disposition of voice part: 3-part single page
Multiple texts: yes
Disposition of voice part: 3-part consecutive
Ruling medium: freehand
Search results
12
- Barcelona, Spain, Biblioteca de Catalunya, M. 251 (olim 250), c. 1490, 137v-139r, 140v-143r
- St Gall, Switzerland, Stiftsbibliothek, MS 461, c. 1515-1545, All folios
- Modena, Italy, Biblioteca Estense Universitaria, alpha.F.9.9 (Ital. 1221; olim VIII.F.27), 1495-6, All folios
- Tarazona, Spain, Archivo Capitular de la Catedral, MS 17, First half of 16th century, Altus
- Tarazona, Spain, Archivo Capitular de la Catedral, MS 17, First half of 16th century, Tenor primus
- Tarazona, Spain, Archivo Capitular de la Catedral, MS 17, First half of 16th century, Tenor secundus
- St Gall, Switzerland, Stiftsbibliothek, MS 463, c. 1540 or slightly later, All folios
- Zaragoza, Spain, Iglesia Metropolitana de la Virgen del Pilar, Archivo Musical, Armario C-3, MS 17, 16th century,
- Florence, Italy, Conservatorio di Musica Luigi Cherubini, MS Basevi 2442, First half of the 16th century, probably c. 1527, Altus partbook, all folios
- Florence, Italy, Conservatorio di Musica Luigi Cherubini, MS Basevi 2442, First half of the 16th century, probably c. 1527, Tenor partbook, all folios
- Modena, Italy, Biblioteca Estense Universitaria, alpha.X.1.11 (Lat. 471; olim VI.H.15), 1440s, with additions up c. 1480, All folios
- Berlin, Germany, Staatsbibliothek Preussischer Kulturbesitz, MS Mus. 40021 (olim Z 21), c. 1485-1500, All folios