PRoMs - The Production and Reading of Music Sources

Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
Search
Filters
Date
Locations of Origin
Countries
Cities
Production method
Physical type
Material
Format
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
Height of Staves
Colour of Staves
Ruling Medium
Number of staves
Disposition of Voice Parts
Indentation for Initials
Extra Space Between Voice Parts
Space Provided for Separate Text
Adhoc Adaptation
Copying of Music
Colour of Notation
Type of Notation
Monophonic Notation
Level of Calligraphy
Non-verbal Performance Instructions
Copying of Text
Language
Presence or Absence of Text
Type of Script
Level of Calligraphy
Colour of Text
Multiple Texts
Decoration
Miniatures Frequency
Borders Frequency
Borders Size
Painted Initials Frequency
Painted Initials Type
Penned Initials Frequency
Penned Initials Type
Planned Initials Frequency
Planned Initials Type
Other Decoration Frequency
Other Decoration Type

Filters applied

Clear all filters
Non verbal performance instructions: signes-de-renvoi Disposition of voice part: 6-part opening Copy language name: Flemish Pricking frequency: often Painted initials frequency: rarely Number of staves: 8 Separate text: no separate text Penned initials frequency: occasionally Number of staves: 2 Number of staves: 9 Type of notation: void mensural Ruling medium: single rastrum Number of staves: 6 Planned initials frequency: never Number of staves: 5 Physical format: upright Physical type: choirbook

Search results

13
  1. Florence, Italy, Conservatorio di Musica Luigi Cherubini, MS Basevi 2442, First half of the 16th century, probably c. 1527, Cantus partbook, all folios
  2. Tarazona, Spain, Archivo Capitular de la Catedral, MS 2-3, Early 16th century, All folios
  3. Florence, Italy, Biblioteca Nazionale Centrale, MS Palatino 472, Late 15th century, before 1515, All folios
  4. Barcelona, Spain, Biblioteca de Catalunya, M. 454, 1500–1534, All folios
  5. Seville, Spain, Biblioteca Capitular y Colombina, MS 5-5-20 (olim Z Tab. 137, N.° 25), Early 16th century, 39-66
  6. London, Great Britain, British Library, MS Royal Appendix 58, c. 1515-40, All folios
  7. Florence, Italy, Conservatorio di Musica Luigi Cherubini, MS Basevi 2442, First half of the 16th century, probably c. 1527, Altus partbook, all folios
  8. Barcelona, Spain, Biblioteca de Catalunya, M. 251 (olim 250), c. 1490, 137v-139r, 140v-143r
  9. Florence, Italy, Biblioteca Nazionale Centrale, MS Banco Rari 229 (olim Magliabechi XIX.59), 1492-1493, All folios
  10. Tarazona, Spain, Archivo Capitular de la Catedral, MS 17, First half of 16th century, Altus
  11. Tarazona, Spain, Archivo Capitular de la Catedral, MS 17, First half of 16th century, Tenor primus
  12. Tarazona, Spain, Archivo Capitular de la Catedral, MS 17, First half of 16th century, Tenor secundus
  13. Eton, Great Britain, Eton College Library, MS 178, c. 1500-04, All folios