PRoMs - The Production and Reading of Music Sources

Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Number of staves
Disposition of Voice Parts
Indentation for Initials
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Space Provided for Separate Text
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Disposition of voice part: 1-part single page Disposition of voice part: 3-part consecutive Disposition of voice part: 5-part single page Disposition of voice part: 6-part opening Other decoration type: end-symbol Painted initials frequency: rarely Physical type: choirbook Production method: Manuscript Ruling medium: freehand Type of notation: chant (square) Type of notation: strene notation Type of script: cursive (Anglicana)

Search results

10
  1. Segovia, Spain, Archivo Capitular de la Catedral, MS s.s., c. 1498-1515, All folios
  2. Seville, Spain, Biblioteca Capitular y Colombina, MS 5-5-20 (olim Z Tab. 137, N.° 25), Early 16th century, 39-66
  3. Seville, Spain, Biblioteca Capitular y Colombina, MS 7-1-28, Late 15th century, All folios
  4. Barcelona, Spain, Biblioteca de Catalunya, M. 251 (olim 250), c. 1490, 137v-139r, 140v-143r
  5. Zaragoza, Spain, Iglesia Metropolitana de la Virgen del Pilar, Archivo Musical, Armario C-3, MS 17, 16th century,
  6. Barcelona, Spain, Biblioteca de Catalunya, M. 681 (=PedC 386), c. 1525-1550, All folios
  7. Tarazona, Spain, Archivo Capitular de la Catedral, MS 17, First half of 16th century, Altus
  8. Tarazona, Spain, Archivo Capitular de la Catedral, MS 17, First half of 16th century, Tenor primus
  9. Tarazona, Spain, Archivo Capitular de la Catedral, MS 17, First half of 16th century, Tenor secundus
  10. Barcelona, Spain, Biblioteca Orfeó Català, MS 5 (olim 12-VI-12), 1490-1510, All folios